

赤ちゃんに乾杯!
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Overview
自由気ままに暮らしていた男性3人がキュートな赤ちゃんを育てざるを得なくなってあたふたする姿が笑いと感動を呼ぶ、後にハリウッドで「スリーメン&ベビー」としてリメイクされたフランス産のヒットコメディ。赤ちゃんのかわいらしさなど見せ場がたっぷりで、誰もが楽しめる傑作に仕上がった。本国フランスでの公開は記録破りの大ヒットとなり、セザール賞で作品賞はじめ3部門に輝くなど内容的にも高い評価を受けた。監督は「ロミュアルドとジュリエット」の女性監督J・セロー。 フランスのパリ。高級アパートで同居している男性3人、フライトアテンダントであるジャック、広告代理店で働くピエール、漫画家ミシェルは、そろって独身生活を満喫していた。ある日、ジャックは旅行に出発した友人から荷物を預かるが、荷物はなんと生後6カ月の赤ん坊だった。赤ん坊はジャックと彼のガールフレンドの間に生まれた子どもで、ひとまず3人は慣れない子育てに挑んでみるが、そこで四苦八苦する事態に直面して……。
Director: Coline Serreau
Writer: Coline Serreau
興行収入: $2,052,466 (3億円)
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This is the French film that was remade as the 1987 treacly ubersuccess "Three Men and a Baby." They are both equally good, and for different reasons. Pierre (Roland Giraud) the architect, Michel (Michel Boujenah) the cartoonist, and Jacques (Andre Dussollier) the air steward all live in the same Paris apartment. Their swinging ways are turned upside down when Jacques' hitherto unknown infant child is left on the doorstep with a note attached from the mother saying she will be in the United States on a modelling shoot for a few months. Jacques is not there, either, as he is in the Far East. He did promise to hold a package for a friend, and Pierre and Michel assume baby Marie is it. Very similar to the remake, so far. The baby is given to drug dealers, who come looking for a "package" of heroin. The exchange is not made, and the police follow Pierre and Michel, looking for the narcotics. Strangely, halfway through the film, Michel hands off the heroin in a diaper to the dealer, and this plot, which never worked in either film, suddenly ends! No hidden camera, no dressing like a woman, and no eccentric detective. I wondered just what the heck these people were going to do for the rest of the film. This is where the darkness creeped in. The mother, Sylvia (Philippine Leroy-Beaulieu), comes home and takes the baby back. The three bachelors try to get back to their womanizing and drinking, but they are set upon by such an omnipotent depression, I thought I might have to call the mental health hotline. Michel and Jacques do see the baby on occasion, but try not to bond with it. Pierre is downright suicidal, laying in bed with a squeaky toy. While the first half of the film was not the light fluff of the remake, the second half was so sad and depressing, it gives many foreign films a bad name. The baby is cute, but all the adults here come off as self-centered. A birthday celebration where the shallow guests complain that a child is not "interesting" until it is a toddler was meant to be funny, but is a little painful to watch. In the end, the mother brings the baby back, and the men dance for joy. This was a truly happy scene, and I wish some more happiness had creeped in to other scenes. I can see why the remake made such a big fuss about the drug dealer subplot, can you imagine Tom Selleck looking like he wanted to die, and Steve Guttenberg stalking the model mom from afar? Women do not come off well at all, being either sexual toys for the men or completely selfish shrews who are only concerned with their own happiness, forget the kid. "Three Men and a Cradle" was good, but also ripe for the remake. The remake was good, but never should have spawned the excruciatingly awful sequel.


























