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Distant Voices, Still Lives
Distant Voices, Still Lives

Distant Voices, Still Lives

19881h 24m★ 6.8ドラマ音楽
Hulu

あらすじ

No synopsis available.

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興行成績

興行収入: $771,745 (1億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

Freda Dowie
Freda Dowie
Mother
ピート・ポスルスウェイト
ピート・ポスルスウェイト
Father
Angela Walsh
Angela Walsh
Eileen
ロレイン・アシュボーン
ロレイン・アシュボーン
Maisie
No Image
Dean Williams
Tony
No Image
Sally Davies
Eileen as a child
No Image
Susan Flanagan
Maisie as a child
No Image
Nathan Walsh
Tony as a child
Michael Starke
Michael Starke
Dave
No Image
Debi Jones
Micky

スタッフ・制作会社

監督: Terence Davies

脚本: Terence Davies

制作: Jennifer Howarth / Colin MacCabe

撮影監督: William Diver / Patrick Duval

制作会社: BFI / Film Four International

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

This film is a little like an LP. It has two distinct sides. One "Distant Voices" focuses on just what makes the father of a small family tick. Two - "Still Lives" dwells more on the lives of the children. Unlike on the vinyl though, once we are on that side of the record there are no tracks. The story flits about with a non-consistent chronology to bring us the happy, the sad, the brutal and the gentle and it really does showcase well the acting talents of Pete Postlethwaite as the father. A man of the times, who treats women with scant regard. Not, perhaps, because he is inherently cruel or nasty, but because he knows no better? Even his wife (a strong, if sparing, contribution from Freda Dowie) has to tread on eggshells much of the time. There are three children - "Eileen" (Angela Walsh); "Maisie" (Lorraine Ashbourne) and "Tony" (Dean Williams) and their lives, loves and wartime experiences feature potently in the second stage of this drama that tells us much about the societal influences - and expectations - of families, of men, of soldiers and it's quite thought-provoking. It's about love, too, but not in much of a sentimental manner. Relationships have to have a gritty, pragmatic, aspect to them - and it falls to the youngsters to try and change these entrenchments from varying degrees of success and happiness themselves. There is very little dialogue, here. Most of the narrative relies on the glorious photography and the use of contemporaneous songs from the likes of Ella Fitzgerald, Johnny Mercer and some beautifully performed choral works that prove to be truly effective at setting and maintaining a sense of the struggles and joys of this working-class, sometimes unpromising, existence. It's certainly well worth a watch - a few times, I'd say.

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