

喜望峰の風に乗せて
あらすじ
No synopsis available.
作品考察・見どころ
興行成績
製作費: $18,000,000 (27億円)
興行収入: $4,536,348 (7億円)
推定収支: $-13,463,652 (-20億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。


No synopsis available.
製作費: $18,000,000 (27億円)
興行収入: $4,536,348 (7億円)
推定収支: $-13,463,652 (-20億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ジェームズ・マーシュ
脚本: スコット・Z・バーンズ
制作: スコット・Z・バーンズ / ピート・チャーニン / ジャック・ペラン
撮影監督: Éric Gautier
制作会社: BBC Film / Blueprint Pictures / StudioCanal UK
I like Colin First enough to cut his films some slack sometimes, and this is one of those times. I thought the movie was entertaining overall, and well acted. At the same time I had a couple of problems with it. One was that I found the family flashbacks while he was at sea to be distracting. It wasn’t a big thing, but they didn’t seem meaningful or well placed as far as furthering the plot or his character. The other issue was perhaps because I wasn’t paying close enough attention, but a few gaps emerged for me as far as knowing what he was doing during the voyage. It made sense to me when I researched his story a bit, but until then there as some confusion for me. But I wouldn’t discourage anyone for watching it for that or any other reason.
Based on the true story of aspiring round-the-world yachtsman Donald Crowhurst (Colin Firth) this rather disappointingly sluggish drama tries to engage us in the man's lifelong passion. A passion that jeopardises his business, puts him into debt and relegates his wife and two young children to second place as he reckons he can circumnavigate the globe in his catamaran. This isn't a story that I was aware of, historically, but the facts are undeniable so it's really all down to how director James Marsh tells us the story of the determined man. In that respect this doesn't really deliver. Firth brings no sense of peril to the risks of the role. It's as if he was one of those people who would go off climbing mountains in January with just trainers and a t-shirt on. It emphasises way more the venal aspects of funding his participation but not really the competitive or characterful ones and the seaborne action - such as it is - is duck pond stuff that gives us little sense of just how treacherous the ocean can be. Though the denouement did rather swipe at a press that can be desperately fickle, this whole film just didn't ever get going and at almost two hours I felt it dragging as surely as if it had an anchor of it's own. It's a watchable film, but it's certainly not a memorable one.