The Devil and Max Devlin
あらすじ
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作品考察・見どころ
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興行成績
興行収入: $16,000,000 (24億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
興行収入: $16,000,000 (24億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
脚本: メアリー・ロジャース / Jimmy Sangster
音楽: Buddy Baker
制作: Jerome Courtland
撮影監督: Howard Schwartz
制作会社: Walt Disney Productions
With Bill Cosby's life and career in tatters these days with a myriad of past date-rape accusations against the actor/comedian, I have been intrigued to investigate both his earlier filmic oddities and the comedic albums of his stand-up routines from years gone by. This was a decent, Disney (to add a touch of irony) comedy just before he was going to hit a purple patch in his life with the mega-success of 'The Cosby Show'. I wish when I came across them in a London music store a few years back, that I had pulled the trigger and bought a pair of jazz albums he had made with Quincy Jones. I have a feeling they would have proved a lot more interesting than this was.
I'd recommend <em>'The Devil and Max Devlin'</em>. Of course it is slightly hampered by the fact it's a Disney film, but I feel it manages to leave a mark in what it does tackle in regards to the premise. I felt attached to the dilemma that Max (Elliott Gould) faces, despite it being a fairly predictable situation. Gould is good in the lead role. He is joined by, um, Bill Cosby, who suitably plays a character from the less appealing afterlife. Julie Budd (Stella) is the best of the rest, especially when it comes to the music; she's got a great voice. Disney's best film up until this point of the 1980s, which they begin poorly. Happy with this one though, I like it.
