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No Man of Her Own
No Man of Her Own

No Man of Her Own

19501h 38m★ 6.9ドラマ犯罪スリラー

あらすじ

No synopsis available.

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スタッフ・制作会社

監督: Mitchell Leisen

脚本: Mitchell Leisen / Cornell Woolrich / Sally Benson

音楽: Hugo Friedhofer

制作: Richard Maibaum

撮影監督: Daniel L. Fapp

制作会社: Paramount Pictures

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キャスト

Barbara Stanwyck
Barbara Stanwyck
Helen Ferguson
John Lund
John Lund
Bill Harkness
Jane Cowl
Jane Cowl
Mrs. Harkness
Phyllis Thaxter
Phyllis Thaxter
Patrice Harkness
Lyle Bettger
Lyle Bettger
Stephen Morley
Henry O'Neill
Henry O'Neill
Mr. Harkness
Richard Denning
Richard Denning
Hugh Harkness
Carole Mathews
Carole Mathews
Blonde
Esther Dale
Esther Dale
Josie
Milburn Stone
Milburn Stone
Plainclothesman

TMDB ユーザーのレビュー

John Chard
John Chard
★ 8

Identity it's a crisis can't you see! No Man of Her Own is directed by Mitchell Leisen and adapted to screenplay by Sally Benson and Catherine Turney from the novel "I Married a Dead Man" written by William Irish (Cornell Woolrich. It stars Barbara Stanwyck, John Lund, Jane Cowl, Henry O'Neill, Phyllis Thaxter, Richard Denning and Lyle Bettger. Callously jilted by the man who has made her pregnant, Helen Ferguson (Stanwyck) survives a train crash and is mistaken for another woman, Patrice Harkness (Thaxter), who was killed in the crash. The woman, who she had befriended on the train, was also pregnant and recently married to a man who also died in the crash (Denning as Hugh Harkness). The rich Harkness in-laws, having never met Patrice, take who they think is Patrice into their home and even though Helen is tormented by her deceit, she spies an opportunity to give her child a grand life. But will she be found out? Will her past come to light with dire consequences?. Film noir styles meets melodramatic verve in what is still a riveting picture, even if the implausibility of it all is hard to swallow. Stanwyck gives it the whole shebang, carrying the film on her shoulders as she hits all the right emotive beats of a double characterisation that brings guilt, shame and conflict of interests. Lund is sadly bland as the Harkness sibling love interest, but the rest of the cast do sterling work, notably Cowl as the Harkness patriarch. Cowl would pass away the year of the film's release. From a film noir perspective it's disappointing that the filmic finale is different to that of Woolrich's novel. However, the story of a destitute unmarried woman thrown a bone by the vagaries of fate is in true noir fashions - as is the turn of events when things go dark in the last third as the past comes knocking at the door of settled bliss in the form of Bettger's oily Stephen Morley. A love story, a survivalist story, one of blackmail, deceit and murder, lots going on in a hugely enjoyable entertainment. 8/10

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