謎の力によって地球の軌道から外れた月が、我々人類が知る限りの生命体と衝突するコースへと急降下する。衝突まであと数週間、世界は滅亡の危機に瀕していた。NASAの重役で元宇宙飛行士のジョー・ファウラーは、人類を救う鍵を持っていると確信していたが、彼女の過去を知る唯一の人物で宇宙飛行士のブライアン・ハーパーと陰謀論者のK・C・ハウスマンだけしか彼女を信じていなかった…。
製作費: $146,000,000 (219億円)
興行収入: $67,319,703 (101億円)
推定収支: $-78,680,297 (-118億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ローランド・エメリッヒ
脚本: Harald Kloser / ローランド・エメリッヒ / スペンサー・コーエン
音楽: Harald Kloser / Thomas Wander
制作: Gary Raskin / Alastair Burlingham / Karl Spoerri
撮影監督: Robby Baumgartner
制作会社: Centropolis Entertainment / Street Entertainment / Lionsgate / AGC Studios / Huayi Tencent Entertainment / Huayi Brothers International
With Moonfall, Roland Emmerich has essentially made an even dumber version of Michael Bay’s Armageddon. There’s not a lot to enjoy here apart from K.C. Houseman’s house cat being named Fuzz Aldrin. With its idiotic premise, hammy dialogue involving some of the most exaggerated emotional speeches ever, stiff acting, unfunny humor, and purposely distorted CGI, Moonfall features an overwhelming amount of frenetic nonsense and has no excuse to be as boring as it is. Full review: https://boundingintocomics.com/2022/02/04/moonfall-review-its-raining-moon/
After watching the movie, I thought that if I had watched it on a streaming platform I would wish I caught it in the cinemas. Luckily I watched it on an IMAX cinema so the screen was huge and the sound was great, dialague was loud and clear. It had an entense tone to it to keep my attention. There were jokes here and there, but nothing major to distract me at all. I liked that it starts a bit slow and builds up, the second half is what remind me why I go to the cinemas, non-stop action and greatly done shots that you wish to put on your computer screen. It's science fiction film that captivates your imagination. The plot and ideas I found very interesting. I enjoyed the movie, so I would recommend to catch it in the cinemas. Bigger cinema, the better. My only complaint is that it couldn't take advantage of the full IMAX screen that was available, probably due to budget constraints.
A bit messy, this. <em>'Moonfall'</em> is actually good in areas that I was expecting it to be bad in and bad in areas I thought it might've been good in. I had caught one of the trailers - at the cinema for a different film - and didn't hold high hopes for it, especially with the <em>'<a href="https://letterboxd.com/film/dont-look-up-2021/" rel="nofollow">Don't Look Up</a>'</em> similarity, though thought the humour/silliness might carry it over the line. Yet, the humour is poor and it's in fact the more serious elements that come to the fore. I honestly enjoyed the sci-fi bits of it and the more dramatic stuff. The comedy is very lame, I don't think I even smirked once to be honest. They should've just played it totally straight, in my opinion anyway. The special effects, meanwhile, are a positive. The cast, when not comedic, work fairly well together. Halle Berry, John Bradley - who may be at the front of the limp jokes but he as an actor is likeable enough that I didn't dislike him at all - and Patrick Wilson - who I always forget the name of, I was literally trying to recall him throughout the film and I still didn't crack it - are a solid trio when serious. The support cast, spearheaded by Michael Peña, are meh. Unfortunately it's a 6/10 rating from me. I do like disaster movies - <em>'<a href="https://letterboxd.com/film/2012/" rel="nofollow">2012</a>'</em>, Roland Emmerich's best, is great - but this one fell short; particularly towards the end. I wouldn't, personally, say it's as bad as that average rating chart suggests, but to each their own of course.
MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/ "Moonfall is as insanely nonsensical as one could hope/expect, but it's the lack of entertaining sequences for most of the runtime that brings the film down. The balance between the different, simultaneous action set pieces suffers immensely due to the underdeveloped, bland characters, and the incoherent, messy editing work doesn't help. Disaster movies always ask for suspension of disbelief, but Roland Emmerich really stretches the absurdity levels by co-writing one of the most scientifically ridiculous screenplays in the history of cinema - the third act revelations are genuinely jaw-dropping. A surprisingly dull disaster flick across the board, whether it's about the story, action, or even the performances." Rating: D-
Put on my Letterboxd shirt and went to the theater to see Moonfall, for the movies ✊ Dumb, ambitious, and fun! A little tedious and laughable at times (some of these line deliveries, man), but I loved it :)
