'72年、ペンシルヴェニア州マディソン。ベーダは、葬儀屋を営むやもめ暮しのハリーと少し老人性痴呆症気味の祖母と暮らす11才の女の子。遺体に死に化粧を施すために美容師のシェリーが雇われ、ハリーとシェリーは次第に接近して行く。近所に住む幼なじみのトーマスと父の恋の邪魔をするベーダだったが効果は全く無し。やがて、ベーダとトーマスの間にも恋心が芽生えるのだが……。
製作費: $17,000,000 (26億円)
興行収入: $59,490,000 (89億円)
推定収支: $42,490,000 (64億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
*My Girl* (1991) is one of those movies that lingers long after the credits roll. At its core, it's a coming-of-age story that beautifully captures childhood innocence, friendship, and the tough lessons that come with growing up. The plot unfolds naturally, taking its time to let you connect with the characters, making the emotional moments hit even harder. It balances lighthearted humor with deeper themes without ever feeling forced, making it more than just a typical family drama. The directing by Howard Zieff keeps everything grounded, allowing the story to breathe and feel real. The cinematography leans into a nostalgic, warm aesthetic that perfectly complements the film's tone. There's a sense of comfort in the way it's shot, almost like flipping through old childhood memories. The script feels natural, with dialogue that flows effortlessly, making the characters feel genuine rather than overly scripted or dramatic. The score is subtle but effective, never overpowering the story but enhancing the emotions in just the right moments. When it comes to performances, Anna Chlumsky shines in her first major role, delivering a performance that feels authentic and heartfelt. Macaulay Culkin, fresh off his *Home Alone* success, takes on a very different role and does it with quiet charm. The supporting cast also does a great job, adding depth to the story without overshadowing the leads. Overall, *My Girl* is a beautifully crafted film that sticks with you. It’s emotional without being manipulative, nostalgic without being cliché, and tells a story that feels personal even decades later.
