FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
© 2026 Bennu Inc.TMDB Logo

本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

氷の微笑
氷の微笑

氷の微笑

“そのとき、女は 美しい凶器。”

19922h 8m★ 6.9スリラー謎
U-NEXT

あらすじ

アイスピック殺人事件の捜査線上に浮び上がった女性作家。事件を捜査する刑事は次第に、容疑者の妖しい魅力のとりこになっていく。やがて彼自身に殺人容疑がかかってしまうが……。シャロン・ストーンの大胆な演技が話題を呼んだエロティック・サスペンス。

作品考察・見どころ

本作の真の魅力は、シャロン・ストーンが体現した知的な官能性と、観客を翻弄する究極の心理戦にあります。彼女が演じるキャサリンは単なる悪女ではなく、欲望を武器に秩序を支配する超越的な存在であり、その圧倒的なオーラが異様な緊張感をもたらしています。冷徹な映像美が、官能の裏側に潜む死の気配を鮮烈に描き出します。 本能と理性の境界を抉り出すテーマ性は、今なお強烈な刺激を放っています。マイケル・ダグラスが見せる脆さと、それを見透かすストーンの眼差しの対比は、深淵な人間ドラマを構築しています。真実が霧の中に消えるような不確かなカタルシスこそが、本作をエロティック・サスペンスの金字塔たらしめている所以です。

興行成績

製作費: $49,000,000 (74億円)

興行収入: $352,927,224 (529億円)

推定収支: $303,927,224 (456億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

あなたの評価を記録する

予告・トレイラー

配信サービス

サブスクリプション

U-NEXT

レンタル・購入

Apple TV Store
FOD

キャスト

マイケル・ダグラス
マイケル・ダグラス
Detective Nick Curran
シャロン・ストーン
シャロン・ストーン
Catherine Tramell
ジョージ・ズンザ
ジョージ・ズンザ
Gus
ジーン・トリプルホーン
ジーン・トリプルホーン
Dr. Beth Garner
デニス・アーント
デニス・アーント
Lieutenant Walker
Leilani Sarelle
Leilani Sarelle
Roxy
Bruce A. Young
Bruce A. Young
Andrews
Chelcie Ross
Chelcie Ross
Captain Talcott
Dorothy Malone
Dorothy Malone
Hazel Dobkins
ウェイン・ナイト
ウェイン・ナイト
John Correli

スタッフ・制作会社

監督: ポール・ヴァーホーヴェン

脚本: ジョー・エスターハス

音楽: ジェリー・ゴールドスミス

制作: Alan Marshall / Mario Kassar

撮影監督: ヤン・デ・ボン

制作会社: Carolco Pictures / Le Studio Canal+

TMDB ユーザーのレビュー

talisencrw
talisencrw
★ 9

Controversy aside, in regards both to Sharon Stone's quintessentially-provocative noirish femme fatale (talk about a queen bee or alpha female!) and the backlash that the film portrayed lesbians as crazed psychos, Verhoeven both played a striking tribute to Sir Alfred Hitchcock, particularly San Francisco's based Vertigo and in use of the blonde bombshell, and simply continued his style of storytelling that had become his trademark in his pre-Hollywood, formative days in the Netherlands. Though it's not mentioned in the interviews of either star or director, the wonderful car chase brought to mind that 'other' car chase Frisco Bay movie, 'Bullitt'. But given the remarkable landscape of the area, why not? One would be a fool not to push the stylistic envelope as far as the censors will allow. A film that would have made The Master of Suspense proud, methinks, and one that he himself perhaps would have done, had Joe Eszterhas' very fun script been around, during, say, the time of 'Frenzy', when Hitchcock was at his cheekiest. A fantastic date movie too, by the way...

John Chard
John Chard
★ 7

I'd have to be pretty stupid to write a book about killing and then kill him the way I described in my book. I'd be announcing myself as the killer. I'm not stupid. Basic Instinct is directed by Paul Verhoeven and written by Joe Eszterhaz. It stars Michael Douglas, Sharon Stone, George Dzundza, Jeanne Tripplehorn, Denis Arndt and Leilani Sarelle. Music is scored by Jerry Goldsmith and cinematography by Jan de Bont. Nick Curran (Douglas) of the SFPD is strung out and under investigation by Internal Affairs, last thing he needs is to be drawn into a dangerous relationship with a sex crazed blonde who may be a murderess... Time hasn't been kind to Verhoeven's soft-core porn thriller, where once was shock and awe killings (the film opening with a brutal mini ice-pick murder), steamy love scenes and a famed and controversial crotch shot, now is ludicrous orgasms, iffy effects and Michael Douglas' unappetising ass! Hell there was even protests during the film's initial theatre run as the gay community went up in arms about the portrayal of bisexuals possibly being mad murderers? Yet for all of its taming over the years, Basic Instinct can at least now been seen as the hugely efficient mystery thriller that it is, one that is propelled by some very good performances by the principal actors. The strength in the story is not in the sex or blood, but in the character arcs of Nick Curran and Catherine Tramell (Stone). Curran is a man perched on the edge of doom who is controlled totally by the women around him. He is by definition a quintessential film noir protagonist, in so deep he ultimately will be resigned to his fate. Catharine Tramell is a ultimate femme fatale, beautiful and seductive, she's always in control, leading all male characters where she wants them to go. There's a delicious kink to the narrative, with Verhoeven gleefully pulling the strings, a smirk no doubt etched onto his face. This is very good story telling, with a plot of substantial twists and turns. True, it does carry some soft-core baggage that can steer the restless away from the character strengths within, but for the neo-noir crowd there is much to enjoy here. 7.5/10

おすすめの作品