In the Name of Ben-Hur
あらすじ
No synopsis available.
予告・トレイラー
作品考察・見どころ
AIが作品の魅力を深く読み解いています
スタッフ・制作会社
監督: Mark Atkins
脚本: Mark Atkins
音楽: クリス・カノ / Eliza Swenson
制作: デヴィッド・マイケル・ラット / デヴィッド・リマゥイー
撮影監督: Mark Atkins
制作会社: The Asylum
No synopsis available.
AIが作品の魅力を深く読み解いています
監督: Mark Atkins
脚本: Mark Atkins
音楽: クリス・カノ / Eliza Swenson
制作: デヴィッド・マイケル・ラット / デヴィッド・リマゥイー
撮影監督: Mark Atkins
制作会社: The Asylum
This is another one of those low-budget, dialogue heavy, movies that probably serves best as a training exercise for just about everyone before and behind the camera. Most of the technical folks behind seem to do adequately at presenting this contrived drama, but those responsible for the “creative” elements have little, if anything, to shout about. The Roman legions are persecuting some rural farmers when they are protected by a big burly stranger. That intervention only serves to irritate the commander though and so the locals try to convince this man to stay and help them, else he will go on his merry way and they will all be bruschetta. With the feisty but pretty hapless “Adrian” (Jonno Davies) first amongst the villagers and persistent, their visitor (Adrian Boucher) eventually decides to stay and, well you can join the very big dots from here. What it does do is suggest that those making it had fun. Dressing up? Yep. Rolling around in the mud hitting folk with sticks? Yep. Pretending to be Charlton Heston? Yep. The closing scene with “Cyprian” (Alan Calton) is the epitome of cinematic serendipity and all-in-all this is pretty feeble. Still, everyone has to start somewhere and maybe the next project any of these work on might benefit from their filmmaking learning curve that begins here. It passes the time, but you will never recall it - even if you were in it.
