

ザ・スクエア 思いやりの聖域
あらすじ
北欧の若き巨匠リューベン・オストルンド監督による風刺の利いたヒューマン・ドラマ。有名美術館のキュレーターが、携帯と財布を盗んだ相手に愚かな行動を取ったことから、思わぬ事態に陥ってしまうさまを描き出す。
興行成績
興行収入: $9,494,535 (14億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。


北欧の若き巨匠リューベン・オストルンド監督による風刺の利いたヒューマン・ドラマ。有名美術館のキュレーターが、携帯と財布を盗んだ相手に愚かな行動を取ったことから、思わぬ事態に陥ってしまうさまを描き出す。
興行収入: $9,494,535 (14億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Ruben Östlund
脚本: Ruben Östlund
制作: ダン・フリードキン / Erik Hemmendorff / ブラッドリー・トーマス
撮影監督: Fredrik Wenzel
制作会社: Plattform Produktion / ARTE France Cinéma / Coproduction Office / Essential Filmproduktion / Imperative Entertainment / SVT / Film i Väst / Société Parisienne de Production / ZDF / ZDF/Arte / Alamode Film
I'm not a great fan of dramas, but this was an entertaining film. I gave this 4 stars just for the ape scene.
I maybe just wasn't in the right mood for this, but after about half an hour I really didn't much care what happened to "Christian" (Claes Bang), or pretty much anyone else. He runs one of those galleries that puts a glass of water on a dusty shelf and calls it art. You know, emperor's new clothes kind of stuff. His latest "exhibition" is designed to remind the public of their responsibilities to each other but his focus is diverted when he is the victim of a pickpocket. No phone. No wallet. He devises an unique way to get them back by putting a note through all of his neighbours' letter boxes delivering an accusatory ultimatum. Curiously enough, that's not the only stupid idea he has as this rather plodding drama meanders it's way from one bad decision to another for 2½ hours. It reaches it's most bizarrely surreal when the entertainment - "Oleg" (Terry Notary) - at a very fancy fund-raising dinner goes quite spectacularly wrong, but there are plenty other daft scenarios as he tries to sort out a marketing campaign, manage a curiously sterile relationship with "Anne" (a dreadfully wooden Elizabeth Moss) and deal with an increasingly exasperating kid (Elijandro Edouard) who seems to think his own family think he nicked the stuff! To be fair to Bang, he does manage to imbue quite a decent degree of insufferable arrogance as his pompous character finds all of his comfort blankets taken away and himself exposed to a society that couldn't care less, indeed is even openly critical, of his obvious double standards. I did like the premiss, but auteur Ruben Östlund indulges himself too completely for me, and I was frankly bored by the end. Maybe a tightening edit could help refocus the humour and the moral of the story? Sorry - not for me.