FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
© 2026 Bennu Inc.TMDB Logo

本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

僕たちのラストステージ
僕たちのラストステージ

僕たちのラストステージ

20181h 38m★ 6.9コメディドラマ

あらすじ

ハリウッド黎明期に一世を風靡した喜劇コンビ、ローレル&ハーディの晩年を描く。黄金時代は遥か昔に過ぎ去って忘れ去られ、体力も衰えた二人の間には亀裂が生じていた。最後と決めて出かけたヨーロッパツアーだったが、往年のファンたちの前で公演を重ねるうち、お互いの大切さを再確認し舞台への情熱を取り戻していく・・・。

作品考察・見どころ

AIが作品の魅力を深く読み解いています

興行成績

製作費: $10,000,000 (15億円)

興行収入: $24,420,923 (37億円)

推定収支: $14,420,923 (22億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

あなたの評価を記録する

予告・トレイラー

キャスト

スティーヴ・クーガン
スティーヴ・クーガン
Stanley "Stan" Laurel
ジョン・C・ライリー
ジョン・C・ライリー
Oliver "Ollie" Hardy
シャーリー・ヘンダーソン
シャーリー・ヘンダーソン
Lucille Hardy
Nina Arianda
Nina Arianda
Ida Kitaeva Laurel
Rufus Jones
Rufus Jones
Bernard Delfont
Danny Huston
Danny Huston
Hal Roach
Joseph Balderrama
Joseph Balderrama
James W. Horne
John Henshaw
John Henshaw
Nobby Cook
No Image
Keith MacPherson
James Finlayson
Richard Cant
Richard Cant
Harry Langdon

スタッフ・制作会社

監督: Jon S. Baird

脚本: Jeff Pope / 'A.J.' Marriot

音楽: Rolfe Kent

制作: Faye Ward / Andy Harries / Christine Langan

撮影監督: Laurie Rose

制作会社: Fable Pictures / Entertainment One / Baby Cow Productions / Sonesta Films / BBC Film / Sony Pictures Classics / Entertainment One Features / Sierra/Affinity

TMDB ユーザーのレビュー

Peter McGinn
Peter McGinn
★ 10

This movie tells a simple story beautifully about two complex men at the end of their careers. I think I disagree with some people in believing that Stan & Ollie benefits from narrowing the plot. Showing their career together at their pear would show what they were as a team and what they did together, but this angle illustrates who they are. It sweats the details. Coogan and Reilly are very convincing in their roles. They still have ambitions that fuel an attempt at a comeback, but their ambition is clouded by the knowledge that they are past their prime. They enjoy the nostalgia and leftover love from their fans even while they try to rise above it. The movie is able to end on a high note even though they cannot achieve all of their goals. Perhaps what I like the most about this movie is the treatment of the stars' wives. As the agent character states, the two wives are also a sort of double act. On the surface they don't seem to like each other a lot, but we see moments of respect and fun between them, and they obviously both love their famous husbands very much. As I said above, Coogan and Reilly do a great job in this movie, but it would have been a lesser film without these two supporting characters.

CinemaSerf
CinemaSerf
★ 7

As a kid, i always shied away from the sort of "slapstick" humour of Laurel and Hardy, so I knew little about them. This little retrospective proved to be an enjoyable traipse throughout their last few professional years, down on their luck, working for a somewhat unscrupulous Bernard (later Lord) Delfont from small, provincial, music halls in Britain. John C. Reilly does an excellent job conveying the frailties of Oliver Hardy. Steve Coogan is less convincing - he seems to resort more to mimicry. All-in-all, though - quite an charming and gently told story with quite a few laughs and the odd tear-jerking moment, too.

おすすめの作品