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Gypsy
Gypsy

Gypsy

19622h 23m★ 6.3コメディドラマ音楽

あらすじ

No synopsis available.

予告・トレイラー

原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

興行成績

製作費: $4,000,000 (6億円)

興行収入: $11,076,923 (17億円)

推定収支: $7,076,923 (11億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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キャスト

Rosalind Russell
Rosalind Russell
Rose Hovick
Natalie Wood
Natalie Wood
Louise Hovick/Gypsy Rose Lee
カール・マルデン
カール・マルデン
Herbie Sommers
Paul Wallace
Paul Wallace
Tulsa
Betty Bruce
Betty Bruce
Tessie Tura
Parley Baer
Parley Baer
Mr. Kringelein
Harry Shannon
Harry Shannon
Grandpa
Morgan Brittany
Morgan Brittany
'Baby' June Hovick
Ann Jillian
Ann Jillian
'Dainty' June Havoc
No Image
Diane Pace
'Baby' Louise Hovick

スタッフ・制作会社

監督: Mervyn LeRoy

脚本: Leonard Spigelgass / Stephen Sondheim / Gypsy Rose Lee

音楽: Jule Styne

制作: Mervyn LeRoy

撮影監督: Harry Stradling Sr.

制作会社: Warner Bros. Pictures

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

"Mama Rose" (Rosalind Russell) is a bit of a musical snob. She is determined that her two daughters are going to succeed her on the stage, but she draws the line at the bawdier elements of Burlesque. Her elder daughter "June" (Ann Jillian) duly obliges proving a Vaudeville success and then marrying. Younger daughter "Louise" (Natalie Wood) is much more of a free spirit and she is also less fussy about how she gets her name in lights, and so naturally her path leads to some consternation from her mother and with "Herbie" (Karl Malden) who seems omipresent as a support for a "Rose" who steadfastly refuses to marry him. Now Ethel Merman she isn't, but I thought Russell played her role with a human conviction that exposed her maternal side both vulnerably and determinedly and I'm not sure the powerfully-voiced Merman could have done that so well. When it came to belting out the songs, Russell seems to have wisely taken a back seat and left Lisa Kirk to do the work, but that worked well enough for a slew of other performers who knew their own limitations and so Kirk combines well with Wood, Jillian and even Malden in delivering some of Stephen Sondheim's best lyrics set to Jule Styne at his own best with the score. Along the way, we get a glimpse of just how competitive and fickle the world of showbiz could be and of how hand-to-mouth the existance of it's players was as they aspired for the ever elusive mink coat. It's in the blood, blood is red - and so are these prickly roses.

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