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Funny Lady
Funny Lady

Funny Lady

19752h 16m★ 5.2コメディドラマロマンス

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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興行成績

製作費: $8,500,000 (13億円)

興行収入: $40,055,897 (60億円)

推定収支: $31,555,897 (47億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

バーブラ・ストライサンド
バーブラ・ストライサンド
Fanny Brice
ジェームズ・カーン
ジェームズ・カーン
Billy Rose
Omar Sharif
Omar Sharif
Nick Arnstein
Roddy McDowall
Roddy McDowall
Bobby Moore
Ben Vereen
Ben Vereen
Bert Robbins
Carole Wells
Carole Wells
Norma Butler
Larry Gates
Larry Gates
Bernard Baruch
Eugene Troobnick
Eugene Troobnick
Ned
No Image
Heidi O'Rourke
Eleanor Holm
Royce Wallace
Royce Wallace
Adele

スタッフ・制作会社

監督: Herbert Ross

脚本: Arnold Schulman / ジェイ・プレッソン・アレン / Fred Ebb

音楽: ピーター7・マッツ / John Kander

制作: Ray Stark

撮影監督: James Wong Howe

制作会社: Columbia Pictures / Rastar Productions

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

I guess a sequel to "Funny Girl" (1968) was always likely, but it really ended up being a shame that we waited seven years for this really unremarkable follow-up. The theme picks up the life of the now successful Fanny Brice (Barbra Streisand) and develops her rather lively relationship with two-bit writer Billy Rose (James Caan), who wrote a few of her hits and to whom she got married. Unfortunately, despite a decent effort from the star, the writing is not a patch on the first film: the humour there that was naive and amusing has now become coarse, unfunny and strained. The musical numbers - "More Than You Know" from Streisand and "Me and My Shadow" from Al Jolson demonstrate that Rose had some skill (with Yip Harburg on the first song too) at song writing, but again there is a paucity of memorable songs from his pen. Indeed the Oscar nominated (John) Kander and (Fred) Ebb seem to have done most of the musical heavy lifting here. We also dwell far too much on their flawed relationship, and by halfway through, the initial "breath of fresh air" approach Caan brought to the film, was drowning in a sea of treacle. Omar Sharif brings a soupçon of style to this film, and there's Roddy McDowall - well he could hardly be described as versatile, but he tries to liven things up a bit too - but, in the end it's a film about two songs with performances that almost look like they were implanted into the thing. As you would expect, it is a well put together piece of cinema - it looks and sounds great, but like a meringue - there is not much inside.

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