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No synopsis available.
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作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $745,971 (1億円)
興行収入: $3,335,913 (5億円)
推定収支: $2,589,942 (4億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $745,971 (1億円)
興行収入: $3,335,913 (5億円)
推定収支: $2,589,942 (4億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Dominic Cooke
脚本: Ian McEwan
制作: Elizabeth Karlsen / Stephen Woolley / Robert Jones
撮影監督: Sean Bobbitt
制作会社: Number 9 Films / BBC Film
While the 1960s were seen as a period of sexual revolution, it is easy to forget that - like today - not everyone follows the same path. _On Chesil Beach_ follows two virgins, Florence (Saoirse Ronan) and Edward (Billy Howle), as they try to consummate their marriage on their wedding night. Interspersed with flashbacks of how the couple met and their relationship developed, it becomes clear that Florence and Edward have very different reactions to the experience. As a deep dive into sexuality, especially asexuality, _On Chesil Beach_ is a fascinating piece of work. It is likely to be much more reflective of the 1960s than media that portrays an era of hippies, drugs and promiscuity. This remains a generation recovering from the effects of war and still very much under the influence of their parents' reservations. Unfortunately, in some ways, the film is also held back by those same reservations. Florence is shown as both extremely innocent and naïve, but with a hunger and desire to achieve her professional goals, while Edward is more of the free-spirit and happy to appease his wife, but with occasional signs of a wicked temper. The film gets caught up with backstory, trying to hammer those points home, to the detriment of exploring the present day. It is with great credit that the two leads are able to convey a sense of humanity. Saoirse Ronan, especially, is able to escape the ponderous nature of her character's personality to deliver a performance that is brutally honest and relatable, while Billy Howle is able to add enough empathy to avoid the obvious trap of being portrayed as the villain in what is otherwise a tragic story. Despite occasionally bordering on tedium as a form of entertainment, _On Chesil Beach_ is essential sexual education viewing.
