FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
© 2026 Bennu Inc.TMDB Logo

本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

Frightmare
Frightmare

Frightmare

19741h 28m★ 6.4ホラースリラー

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Pete Walker

脚本: Pete Walker / David McGillivray

音楽: Stanley Myers

制作: Pete Walker / Tony Tenser

撮影監督: Peter Jessop

制作会社: Peter Walker (Heritage) Ltd.

口コミ

あなたの評価を記録する

キャスト

Rupert Davies
Rupert Davies
Edmund Yates
Sheila Keith
Sheila Keith
Dorothy Yates
Deborah Fairfax
Deborah Fairfax
Jackie Yates
Paul Greenwood
Paul Greenwood
Graham Heller
No Image
Kim Butcher
Debbie Yates
Leo Genn
Leo Genn
Dr. Lytell
Gerald Flood
Gerald Flood
Matthew Laurence
Fiona Curzon
Fiona Curzon
Merle
No Image
John Yule
Robin
No Image
Trisha Mortimer
Lillian

TMDB ユーザーのレビュー

John Chard
John Chard
★ 5

Ghastly, Ghoulish, Grotty & Gory. Frightmare is directed by Pete Walker who also co-writes the screenplay with David McGillivray. It stars Rupert Davies, Shelia Keith, Deborah Fairfax, Paul Greenwood and Kim Butcher. Music is by Stanley Myers and cinematography by Peter Jessop. Edmund and Dorothy Yates are freed after fifteen years in an asylum, committed for despicable crimes, but is Dorothy cured? And what of their daughters? Frightmare is what it is, a British exploitation horror made at a time when it was out to get the best rise out of the audience. As much as Pete Walker’s fans don’t want to believe it, there is no social comment being made, no hidden agenda or attempts to push the boundaries of British horror in visual or thematic achievements. Walker, a very likable and honest man, even says his films are not for deep cranial pondering, he couldn’t believe his luck that he got to throw blood and guts about and got paid for it. Frightmare is a thinly plotted and written picture that serves only to bask in some shock and awe scenes. The ineptitude of the mental health authorities is given a cursory glance, but really the picture plods from one scene to the next waiting for Dorothy to get busy with her tool kit. It’s there, with the wonderfully scary Keith doing her stuff, where Walker excels. Though in today’s desensitised age it’s more fun than frightening, while there’s actually not as much gore on show as you would think. It’s all very basic in truth, but Walker achieved his aims back then, and kudos to him for serving up a truly bleak finale. 5/10

おすすめの作品