FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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スペース・プレイヤーズ
スペース・プレイヤーズ

スペース・プレイヤーズ

20211h 55m★ 6.6ファミリーコメディアドベンチャーアニメーションサイエンスフィクション
HBO Max on U-Next

あらすじ

人気バスケットボールプレイヤーのマイケル・ジョーダンとアニメキャラクターが共演して話題を集めた「スペース・ジャム」(1996)に続き、NBAの人気バスケットボール選手レブロン・ジェームズが主演を務め、ワーナー・ブラザースの歴代の作品やキャラクターたちと共演したアドベンチャー映画。バーチャルワールドを舞台に繰り広げられる究極のeスポーツバトルを、実写とアニメの融合で描く。バスケットボール選手のレブロンとゲーム開発を夢見る息子ドンは、映画会社ワーナー・ブラザースのAIスーパーサーバー「無限バーチャル・ワールド」の中に迷い込んでしまう。そこには、「ルーニー・テューンズ」のバッグス・バニーやトゥイーティーといったアニメキャラクターや、バットマン、キングコングなどの映画キャラクターたちが暮らしていた。レブロンははぐれた息子と再会するため、究極のeスポーツバトルに参戦する。共演は「アイアンマン」シリーズのドン・チードル、「スパイダーマン」シリーズのゼンデイヤ。「ガールズ・トリップ」のマルコム・D・リー監督がメガホンをとった。

作品考察・見どころ

レブロン・ジェームズとルーニー・テューンズが融合した本作は、ワーナーの膨大なIPが交差する「サーバーバース」の圧倒的な視覚体験が白眉です。実写とアニメ、さらには最新の3DCGへと変貌を遂げる映像美は、現代技術の粋を集めた究極のエンターテインメントと言えるでしょう。 1996年の前作と異なり、本作は「父と子の対話」という普遍的なテーマを軸に、己の個性を尊重する重要性を熱く説きます。アナログからデジタルへ進化した表現手法は、単なる映像の更新に留まらず、時代の継承と革新を見事に体現しており、観る者の魂を激しく揺さぶります。

興行成績

製作費: $150,000,000 (225億円)

興行収入: $163,692,228 (246億円)

推定収支: $13,692,228 (21億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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配信サービス

サブスクリプション

HBO Max on U-Next

レンタル・購入

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FOD

キャスト

レブロン・ジェームズ
レブロン・ジェームズ
LeBron James
ドン・チードル
ドン・チードル
Al G. Rhythm
Cedric Joe
Cedric Joe
Dominic 'Dom' James
Jeff Bergman
Jeff Bergman
Bugs Bunny / Sylvester / Yosemite Sam / Fred Flintstone (voice)
ガブリエル・イグレシアス
ガブリエル・イグレシアス
Speedy Gonzales (voice)
ゼンデイヤ
ゼンデイヤ
Lola Bunny (voice)
エリック・バウザ
エリック・バウザ
Daffy Duck / Porky Pig / Foghorn Leghorn / Elmer Fudd (voice)
Candi Milo
Candi Milo
Granny (voice)
ボブ・バーゲン
ボブ・バーゲン
Tweety Bird (voice)
フレッド・タタショア
フレッド・タタショア
Taz (voice)

スタッフ・制作会社

監督: Malcolm D. Lee

脚本: Tony Rettenmaier / Herschel Weingrod / Leo Benvenuti

音楽: クリス・バワーズ

制作: Spencer Beighley / Jesse Ehrman / Zinzi Coogler

撮影監督: Salvatore Totino

制作会社: Warner Animation Group / Proximity Media / Warner Bros. Pictures / The SpringHill Company

TMDB ユーザーのレビュー

joshjensen02
joshjensen02
★ 8

A very creative alternate to the original. The story line is all original and updated with current times. Lots of great puns and looney jokes. Better than what I expected. However nobody can be Michael Jordan

Peter89Spencer
Peter89Spencer
★ 8

Pros: - Kong and the Iron Giant gave eachother a fist bump! - It featured many characters from Warner Bros. - Porky Pig roasting Al-G Rhythm in a rap battle - Gabriel Iglesias and Zendaya provided the voices of Speedy Gonzales and Lola Bunny, respectively - It was better than the first film - LeBron James! - There could a be a possible Space Jam spin off titled Wonder Bunny! Cons: - They never showed the Pepe Le Pew scene. - I was hoping the Tune Squad would play against villains of Warner Bros.; Wicked Witch of the West, Sauron, Pennywise/It, Agent Smith... - I was expecting a surprise twist, where Al-G Rhythm turns out not to be a bad guy but was actually helping LeBron understand his son more. The writers should've done more. - Cringing moments

CinemaSerf
CinemaSerf
★ 4

This has to be in the running for turkey of the year. It's such a shameless example of bad storytelling, bad acting, and product placement that they might as well just have given you a goodie bag as you (prematurely) left the cinema replete with your Warner Brothers tattoo. It's centres around the son of LeBron James being kidnapped by an evil AI. The only way he can be rescued is by LBJ and his new bestie "Bugs Bunny" putting together a team that can win a basketball game against team selected by the AI. That's about the height of it - there are no characterisations worthy of note amongst the humans, and though it is quite nice to see some of Warner's cartoon characters on a big screen again, any nostalgia that evokes is soon washed away by the sheer naffness of this whole enterprise. Quite whom this is for is anyone's guess - but it sure wasn't for me...

Filipe Manuel Neto
Filipe Manuel Neto
★ 1

**An excuse for yet another CGI animated film.** I think this movie shouldn't have been made the way it was made. The secret to the success of the first “Space Jam” was its originality and the way it combined the drawings and a real basketball star in a movie where he could play a little with himself. Here, what we have disappoints anyone and only serves to raise money for the public without delivering a product that truly meets expectations. The film's biggest problem is obviously its script: it all starts when LeBron James, a basketball player, turns down a contract with Warner Bros. The contract was crafted by a computer algorithm that has somehow taken on a life and will of its own, and is determined to make itself noticed, even in the worst ways. By imprisoning the sportsman and his son in a digital universe, things get complicated. James will have to play basketball against the live algorithm, and he will ask the only one who might possibly have a good idea for help: Bugs Bunny. It is, as we can see, a basic script, very poorly written and poorly designed, which is not able to properly sustain the film. I don't want to be mean to LeBron James. He's not an actor, he's not expected to do a great job as an actor. I think he did a lot with what he got, which was pretty bad, but I also think he's not famous enough to support the movie the way Air Jordan did before. Maybe he's famous in the USA! Outside the US, no one knows who he is. Don Cheadle, thus, ends up being the most prominent actor in the film, even if in a Machiavellian and tiresome character. Cedric Joe does what he can, but his character is terrible, and it was very poorly thought out. Self-centered, selfish, vain and resentful of his father, the kid is nasty almost until the end. Technically, the film bets everything on the CGI of great visual effect and fails completely: if there's one thing that doesn't work well, it is the stylized and tiresome look of this film. I've acquired a special dislike for the computerized versions of Bugs and the rest of Looney Tunes. They are terrible and ugly. There are things that shouldn't be modernized, so they don't lose their essence! In addition, the film has tiresome cinematography and is excessively long, with no script or material to fully justify it. I liked, however, the many tributes that are made to the films of the past of the Warner studio: we have everything from “King Kong” to “Casablanca”, with the passage guaranteed by the “Harry Potter” franchise to “Matrix” and “Mad Max”. It was the part of the movie that I found most sympathetic and honorable, but I still don't recommend this movie.

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