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City of Fear
City of Fear

City of Fear

19591h 21m★ 6.3スリラー

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Irving Lerner

脚本: Steven Ritch / Robert Dillon

音楽: ジェリー・ゴールドスミス

制作: Leon Chooluck

撮影監督: Lucien Ballard

制作会社: Columbia Pictures

口コミ

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キャスト

Vince Edwards
Vince Edwards
Vince Ryker
Lyle Talbot
Lyle Talbot
Chief Jensen
John Archer
John Archer
Lt. Mark Richards
Steven Ritch
Steven Ritch
Dr. John Wallace
Patricia Blair
Patricia Blair
June Marlowe
Kelly Thordsen
Kelly Thordsen
Detective Sgt. Hank Johnson
Joseph Mell
Joseph Mell
Eddie Crown
Sherwood Price
Sherwood Price
Pete Hallon
Kathie Browne
Kathie Browne
Jeanne
Larry J. Blake
Larry J. Blake

TMDB ユーザーのレビュー

John Chard
John Chard
★ 7

It's all gone feverish in Los Angeles. City of Fear is directed by Irving Lerner and stars Vince Edwards, Lyle Talbot, John Archer and Steven Ritch. The latter of which co-wrote the screenplay with Robert Dillon. Music is scored by Jerry Goldsmith and cinematography by Lucien Ballard. "Last night a convict by the name of Vince Ryker escaped from San Quentin. After stealing what he believed to contain a pound of pure heroin ..... does not contain heroin, it contains Cobalt-60 in granular form." Cheap, compact but very effective "B" thriller from the tail end of the first noir cycle, City of Fear thrives on sweaty paranoia played out amongst Los Angeles locations. It's a ticking time bomb structure, convict man thinks he has a gold mine in his hands but actually holds something that is killing him by the hour. This lets in the police procedural aspects as the cops and scientists try to locate convict man and his radiation container. Urgent! Not only to save the convicts life, but also the city from probable disaster! OK, the science does not add up, nor does the fact that convict man never once gets to open the container to inspect his supposed golden haul! But the claustrophobic feel is high and the sense of doom married up to the helplessness of the protagonist does bring it into the noir universe. Ballard photographing is always a plus, though he does not get to show his considerable talents that much here, while Goldsmith, in one of his first musical scoring assignments, couples dramatic thrusts with jazzy reflections to great effect. Edwards (Murder by Contract) makes for a good noir loser. 7/10

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