FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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Frantz
Frantz

Frantz

20161h 53m★ 7.4履歴ドラマロマンス

あらすじ

No synopsis available.

作品考察・見どころ

フランソワ・オゾンが描く本作の真髄は、モノクロームと色彩が交錯する圧倒的な映像美にあります。喪失感に沈む心を象徴する白黒の世界に、希望が芽生える瞬間だけ色が灯る。この詩的な演出は、言葉以上に観る者の感情を揺さぶり、静謐ながらも激しい情熱を伝えます。 ピエール・ニネの繊細な佇まいとパウラ・ベーアの凛とした強さが、嘘と真実の境界を浮き彫りにします。戦争の傷跡を背に、生を肯定するための「美しい嘘」の尊さを説く物語の深淵。嘘が真実を癒やし、再生へ導くプロセスは、映画という媒体でしか到達し得ない至高の救済を描き出しています。

興行成績

興行収入: $7,478,354 (11億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ピエール・ニネ
ピエール・ニネ
Adrien Rivoire
Paula Beer
Paula Beer
Anna
Ernst Stötzner
Ernst Stötzner
Doctor Hans Hoffmeister
Marie Gruber
Marie Gruber
Magda Hoffmeister
Johann von Bülow
Johann von Bülow
Kreutz
Anton von Lucke
Anton von Lucke
Frantz Hoffmeister
Cyrielle Clair
Cyrielle Clair
Adrien's Mother
Alice de Lencquesaing
Alice de Lencquesaing
Fanny
Axel Wandtke
Axel Wandtke
Hotel Receptionist
Rainer Egger
Rainer Egger
German Cemetery Caretaker

スタッフ・制作会社

監督: フランソワ・オゾン

脚本: フランソワ・オゾン / Philippe Piazzo / Maurice Rostand

音楽: Philippe Rombi

制作: Eric Altmayer / Stefan Arndt / Uwe Schott

撮影監督: Pascal Marti

制作会社: FOZ / Mars Distribution / Mandarin Cinéma / X Filme Creative Pool

TMDB ユーザーのレビュー

Reno
Reno
★ 7

**What is the most painful, the war or the lies?** This is pleasantly a surprise film. I would say it is this year's the Oscar winning film 'Ida'. Frankly, there's nothing to compare between two. Not just both of them are modern black and white film, but they are quite similar in the portrayal of lead female characters. Just like 'Marie's Story', it was also inspired by another Hollywood film, 'Broken Lullaby'. I haven't seen that. Even not many people have seen it. One of the less known classic drama which I am going to give a try now. Coming back to the film, it was about the World War I that centres on a young woman who lost her fiancé. Nearly two hours drama, quite slowly narrated, but I never felt drag in storytelling or boring to follow it. From the director of 'In the House', yet another masterpiece. Yeah, it looked like that way for me. Only a very few characters and they all developed so well, almost till the end when a few more joined them. The title role was appeared for like only 4-5 minutes in the entire film. Well, that was the topic, a reason for this story to begin along with the WWI. Though the following storyline was built on a different platform. Like there is a saying 'to hide one lie, a thousand lies are needed', that's what this film was actually about. Living and keep on evolving in the endless process. It is a moral, a message film, but the mistake was committed by someone else that another person has to take the fall for it, even after he goes out of the picture. Really a touching story, but not a tearjerker. The journey of life is sometimes unexpected, particularly when it comes to romance that blooms when one needed it last at the circumstance he's at his life. > ❝What would the truth bring? More pain, more tears.❞ This is not a war film, just in case if you are expecting one. It was a subject under everything happen. So, there's only less than 5 minute clips of them in the film. Basically, those clips too were not required, but it's always nice to see them in pictures when a flashback come into play. It is a pure drama that sets in just after the end of the WWI. A young German woman is mourning for the death of her fiancé. She discovers a young French man who claims his close friend came to condole his demise. He meets the rest of the family and shares those happy days he spent with him in Paris before the war. During his stay, they all get along quite well, despite the people from society are against it/him. That was the first half of the film, developed slowly and steadily, but ended with a twist. The following half began on the new direction with lots of mysteries surrounding. Completely unpredictable, yet as a viewer, I had hundred of different thoughts about the upcoming developments. I was somewhat right on most of the occasion, but I was even happier about how it all went on its own style. Now the story entered the France. More twist and turns unfolded. The pace of the story looked the same, though lots of developments made it look advanced very fast. The World War II is the most dominated theme in the war films. When you see a film on WWI, you will come to realise its perspective, if the film was made with the right dose of everything, even if it was not based on the real event or the person. Fighting the war, carrying the wound, grieving for the lost ones, struggling to rebuild the life and the nation. This is definitely one of the best WWI related, I mean about the aftermath of the war films I've seen. The screenplay was magic. I would surely give an award for it. And then the beautiful photography. I don't know it was because of the black and white, but virtually you would be taken back to the 1919. Simple, yet a great camera angles that must be appreciated. Wonderful cast. Without those amazing performances, this film would have been nothing. Anna is the name you would remember for very long and the actress who played it. In a couple places, the screenplay turns semi colour, particularly when musics takes the front stage. Just in case if you are yet to watch, pay attention to that, because not everybody notices that. To me it looks like an Oscar product, but the release date confirms not eligible for the next Oscars. Different people have different opinion, but I think it is a must see. Those who struggle with slow paced narration, if they manage the opening half, then they would enjoy the remaining and love the overall film. Definitely a hidden gem, it just needs more audience, that's all. _8.5/10_

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