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தொடரி
தொடரி

தொடரி

20162h 48m★ 4.4アクションスリラー

あらすじ

No synopsis available.

作品考察・見どころ

本作の最大の見どころは、疾走する列車という閉鎖空間で展開される圧倒的な緊張感と、主演ダヌシュが体現する「名もなき小市民」の力強さです。パントリーの給仕係という等身大のキャラクターが、制御不能な極限状態に立ち向かう姿は、泥臭くも神話的な輝きを放ちます。キールティ・スレーシュが見せる無垢な存在感との対比が、死の淵にある物語に鮮やかな情緒を添えています。 単なるパニックアクションに留まらず、過熱するマスコミ報道への鋭い風刺や、階層社会の歪みを背景に据えた重層的なメッセージ性は見事です。速度を増し続ける鉄の塊が、社会の不条理を突き抜けていくカタルシス。映像表現の限界に挑んだダイナミックな演出は、観客を文字通りノンストップの興奮へと誘い、魂を激しく揺さぶることでしょう。

口コミ

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予告・トレイラー

キャスト

Dhanush
Dhanush
Poochiappan
キールティ・スレーシュ
キールティ・スレーシュ
Saroja
Ganesh Venkatraman
Ganesh Venkatraman
Sultan
Karunakaran
Karunakaran
Vairam
Thambi Ramaiah
Thambi Ramaiah
Chandrakanth
Radha Ravi
Radha Ravi
Rengarajan
Pooja Jhaveri
Pooja Jhaveri
Srisha
Harish Uthaman
Harish Uthaman
R. V. Udayakumar
R. V. Udayakumar
Bose Venkat
Bose Venkat

スタッフ・制作会社

監督: Prabhu Solomon

脚本: Prabhu Solomon

音楽: D. Imman

制作: Arjun Thiyagarajan / Prabhu Solomon / Sendhil Thyagarajan

撮影監督: Vetrivel Mahendran

制作会社: God Pictures / Sathya Jyothi Films

TMDB ユーザーのレビュー

timesofindia
timesofindia
★ 6

The best way to watch Thodari is to consider it as a spoof thriller. Prabu Solomon seems to have taken a leaf out of Radha Mohan's Payanam for this film, which feels novel because of its setting — a train. There's isn't a properly focused plot as such (at least until the interval) and the film chugs along like a series of incidents that happen inside a train that is en route from New Delhi to Chennai. A motley bunch of characters are travelling on the train. We have the pantry team headed by Chandrakanth (Thambi Ramaiah) of which Poochiyappan (Dhanush) is a part. Poochi's love interest Saroja (Keerthy Suresh, whose 'loosu ponnu' role is used to provide humour) is the touch-up girl of an actress who is also on the train. A central minister (Radha Ravi) is also among the passengers. His NSG commando (Harish Uthaman) has temper issues, and Poochi and Saroja become his target. The pacing in these portions is quite slow — more passenger train than superfast express — but the comedy sequences featuring Dhanush and Thambi Ramaiah are amusing, and help us look over this fact. It is only closer to the interval that some semblance of plot emerges, when the train's driver dies inside his cabin and the train starts picking up speed (the film, too, picks up pace). Even as the plot begins to feel like a comic version of Tony Scott's Unstoppable (though, the director tries to counter this with a dialogue: Idea kudukka ellaam Hollywood padam paakanum-nu avasiyam illa), the scenes begins to resemble a satire, with media sensationalism, and the opportunism of politicians being the prime targets. In his previous film, Kayal, Prabu Solomon exploited a disaster like the 2004 tsunami to shore up a romantic tale. In Thodari, he exploits the romance between his leads to mount a near-disaster. He alternates between comic and mock-serious tones and that helps us overlook the tackily staged romantic and thriller portions. The almost two-dozen supporting actors (from Radha Ravi, Karunakaran and Darbuka Siva to A Venkatesh and Chinni Jayanth) help keep us from getting bored while Dhanush, who is used more for his star value, is in fine B-movie form, gamely providing comedy, romance and heroism.

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