1952年のイギリス、ロンドン。法曹界の重鎮としてその名を知られる老弁護士ウィルフリッド卿は、生死を彷徨う重病の床から、口うるさい付き添い看護婦ミス・プリムソル随行で退院を果たした。ウィルフリッドは事務所に落ち着く間もなく、事務弁護士メイヒューに連れられた未亡人殺しの容疑者レナード・ヴォールの弁護依頼を受ける。アリバイの証明者は夫人しかおらず、状況は極めて不利。まもなく彼らの元を警察が訪れ、レナードは殺人容疑で逮捕されてしまう。
製作費: $3,000,000 (5億円)
興行収入: $9,000,000 (14億円)
推定収支: $6,000,000 (9億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Billy Wilder
脚本: アガサ・クリスティ / Lawrence B. Marcus / Billy Wilder
音楽: Matty Malneck
制作: Arthur Hornblow Jr. / Edward Small
撮影監督: Russell Harlan
制作会社: Edward Small Productions
Great thriller with superb classical interpretations. The plot moves sometimes too lazily.
**Why don't they make THESE movies anymore?** Apart from being a **GREAT** courtroom drama_(which some people don't think this movie is)_, this movie is so much **FUN** and **ENTERTAINING** to watch.Especially because of the characters of _Charles Laughton_ and _Elsa Lanchester_. But _Tyrone Power_ and _Marlene Dietrich_ were convincing too in their portrayal of an _innocent, afraid for his life man and a disloyal, unloving, poker faced wife_ respectively. Some people might say that they predicted the ending half way down the movie but i am not quite sure as to how they predicted the **ACTUAL ENDING** before it really unfolded before their eyes? This movie is great not only in the part played in court but also in the scenes shot in _Sir Wilfrid Robarts's_ office(also due to _Miss Plimsoll's caringly lovably irritating character!_). Perhaps the people(the minority I'd like to believe) who don't think this movie deserves the high ranking and rating that it's got saw this brilliant piece of art as more of a suspense thriller.But I loved this movie as a delightfully ENTERTAINING, MYSTERIOUS, DRAMA ! I rate this 10 just because I haven't seen any other CLASSIC courtroom drama that was intense throughout(barring some light hearted scenes with Sir Wilfrid Robarts) and yet in the end I somehow felt light-hearted and had a smile on my face rather than a thought provoking look on it. The commentary in the ending credits was innocently adorable for our times of social networking _"The management of this theater suggests that for the greater entertainment of your friends who have not yet seen the picture you will not divulge to anyone the secret of the ending of Witness for the Prosecution!"_ And mind you I am a _big fan of 12 Angry Men and How to Kill a Mockingbird!_ But this movie too is equally good in a different way altogether!
I'm constantly surprised that women's hats don't provoke more murders. Leonard Steven Vole finds himself on trial for the murder of a wealthy widow from whom he has inherited a fortune. Top barrister Sir Wilfrid Robarts takes up the defendants case, but he, along with everyone else, is stunned when Vole's seemingly loving wife Christine turns up to testify against the defendant. Based on Agatha Christie's successful 1953 play, "Witness For The Prosecution" benefited from fine tuning from master director Billy Wilder and writing partner Harry Kurnitz. Here the dialogue becomes razor sharp and the characters are fully realised with quite wonderful results, but chiefly the masterstroke here is not letting a court room drama become just that, a court room drama. The film plays out with no wasted scenes, no moments of boredom, and it has such vim and vigour you sometimes forget that there actually is drama in the story. The cast here are on fine form, Wilder had wanted to work with Charles Laughton for some time, and it's obvious that both parties here are getting the best out of each other. Laughton is a pure delight as Robarts, a sharp tongue, all bluster and cheeky into the bargain, his interplay with Miss Plimsoll (Laughton's real life wife Elsa Lanchester) is quality, and it's another testament to Wilder's genius for putting them together. Tyrone Power, in what would be his last completed film before sadly passing away, is devilishly smart as Vole, whilst Torin Thatcher is great as the gruff prosecution barrister Myers. Yet as good as they all are, they all sit in the shadow of Marlene Dietrich and her turn as Christine Vole, sultry and femme fatalistic, it's a sizzling performance that crowns this delightful film. It occurred to me overnight that it's probably the closest film that Wilder got to being Hitchcockian, and I'm pretty sure the big master of suspense himself would have enjoyed this one. It's a mystery that is dramatic, it's a thriller that is also funny, it's pretty much a multi genre classic. 9/10
I might be asking for trouble here, but did Charles Laughton ever actually make a bad film? He leads this one as the brilliant but curmudgeonly barrister "Sir Wildred Robarts" with oodles of charisma and style. Marlene Dietrich portrays the evil, manipulative "Christine Vole" marvellously and even Tyrone Power, more the matinée idol than the serious actor, delivers as required in Billy Wilder's outstanding rendition of the Agatha Christie story about a man accused of murdering an elderly lady who has just happened to leave him a great deal of money in her will. Elsa Lanchester is suitably annoying/scary/lovable as the nurse trying to keep her ailing charge from keeling over mid-trial and a slew of other capable British actors - including a wonderfully charismatic turn from Una O'Connor in the witness box - fill in the supporting roles well. It is one of those very rare occasions where everything just gels perfectly and it really is fun to watch. Some of Laughton's wry asides and put-down lines are genuinely laugh out loud too. Had it not come up against "Bridge on the River Kwai" then I'm sure it would have garnered at least one Oscar!
