FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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ஜாக்சன் துரை
ஜாக்சன் துரை

ஜாக்சன் துரை

20162h 14m★ 4.6ホラーコメディ
Sun Nxt

あらすじ

No synopsis available.

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作品考察・見どころ

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スタッフ・制作会社

監督: Dharani Dharan

脚本: Mohan Rajan / Dharani Dharan

音楽: Siddarth Vippin

制作: Arun Purushothaman / M S Sharavanan

撮影監督: Yuva

制作会社: Sri Thenandal Films / Sri Green Productions

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Sun Nxt

キャスト

Sibiraj
Sibiraj
Sathya
Bindu Madhavi
Bindu Madhavi
Viji
Sathyaraj
Sathyaraj
Durai
Karunakaran
Karunakaran
Veera
Rajendran
Rajendran
Bret Lee (Suruli)
Yogi Babu
Yogi Babu
Mani
Anchal Singh
Anchal Singh

TMDB ユーザーのレビュー

timesofindia
timesofindia
★ 4

How can someone who displayed so much filmmaking flair in his debut come up with such a lacklustre sophomore effort? That's the question that crops up after watching Jackson Durai, which is directed by Dharanidharan, who gave us the stylish crime thriller Burma. The film is a horror comedy, a genre that is very much the trend today, and going by the director's previous film, you expect at least a competently made film that keeps us entertained. But the only thing that we have in store is disappointment. The plot is set in Ayanpuram, a village that is bothered by ghosts that put in an appearance every night once the clock strikes nine. So, the police send Sathya (Sibi), an empty vessel of a cop, to investigate these claims. He, in true Tamil cinema tradition, falls in love with Viji (Bindu Madhavi), a girl in the village the moment he steps foot in the place. Even as he begins his so-called investigation, he realises there is another challenger to Viji's hand — her relative Veera (Karunakaran). So, the girl's father provides them with a challenge — whoever manages to stay alive in the haunted bungalow in the village for seven days will be the chosen one. The problem is that the writing seems slapdash with scenes that are either cliched or too convenient. The best example of this is the flashback portion that shows us how the ghosts came to be, and what they are after. It involves the independence struggle and a personal conflict between the local British head (Zachary) and a revolutionary (Sathyaraj). There is tragedy but it doesn't feel tragic enough; there are patriotic lines but they aren't rousing enough; there is a villain but he isn't fearsome enough; there is also Sathyaraj, and he isn't entertaining enough. It's no wonder the film goes downhill after this segment. Even a Groundhog Day-ish situation that comes next is dealt with in an unimaginative manner. In fact, at least until then, we are kept amused thanks to the comedy elements. Karunakaran, especially, is very funny in these portions, and keeps the scenes engaging, with Yogi Babu chipping in now and then. But these handful of laughs cannot compensate for the overall tediousness.

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