FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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திருட்டு ரயில்
திருட்டு ரயில்

திருட்டு ரயில்

2015★ 1.5コメディアクションロマンス

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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スタッフ・制作会社

監督: Thirupathi Raja

脚本: Thirupathi Raja

音楽: Jeyprakas

制作: A S T Saleem / P. Ravikumar

制作会社: SSS Movies

口コミ

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キャスト

Rakshan
Rakshan
No Image
Charan Selvam
No Image
Cathy
Imman Annachi
Imman Annachi
Mayilsamy
Mayilsamy
Sivakumar
Sivakumar
Theepetti Ganesan
Theepetti Ganesan
Sentrayan
Sentrayan
Rajendran
Rajendran
Shanmugarajan
Shanmugarajan

TMDB ユーザーのレビュー

timesofindia
timesofindia
★ 2

After getting into trouble with a cop during a bar fight, a group of friends board a train to Chennai to stay low. One of the youngsters, Saravanan, is approached by a director who claims that he wants to cast him as the hero in his film, which is a biopic of a real-life gangster, Bhaskar. The cops plan an encounter operation against Bhaskar, but they shoot Saravanan, who is a look-alike of the gangster. And well into the second half, we get the revelation that the biopic was Bhaskar's master plan to evade the cops. But Bhaskar has made one miscalculation. He has failed to take into account Saravanan's friends! In capable hands, Thiruttu Rayil would have made for an engaging action film, but for almost half its running time, the director, Thirupathi, choses to focus on the mundane stuff — scenes of young men drinking and talking pointlessly, and a romantic track between two uninteresting characters. To make matters worse, the hero, Rakshan is a complete non-actor and watching him try to emote, fight or dance is at once cringe-inducing and comical. The heroine, Kethi comes across as a school girl who has found her way into a film set. It is only Charan Selvam, who makes some impact in his dual roles. Amidst the general dullness, we get a sliver of a plot — involving the gangster and his look-alike — that comes to life only in the final few minutes. By then, the audience has either chosen to doze off or fiddle with their phones or even walk out of the theatre.

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