FindKey

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Find (見つける) + Key (鍵・正解)

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போக்கிரி ராஜா
போக்கிரி ராஜா

போக்கிரி ராஜா

20162h 19m★ 4.0アクションコメディロマンス

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Ramprakash Rayappa

脚本: Ramprakash Rayappa / S. Gnanagiri

音楽: D. Imman

制作: P. T. Selvakumar

撮影監督: Anjaneyan

制作会社: PTS Films International

口コミ

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キャスト

Sibiraj
Sibiraj
"Cooling Glass" Guna
Jiiva
Jiiva
Sanjeevi
Hansika Motwani
Hansika Motwani
Sunitha
Manobala
Manobala
Raghav
Munishkanth
Munishkanth
Munusu
Yogi Babu
Yogi Babu
Mojo
Chitra Lakshmanan
Chitra Lakshmanan
Kothandam
Mayilsamy
Mayilsamy
No Image
Manasa Himavarsha

TMDB ユーザーのレビュー

timesofindia
timesofindia
★ 6

If he gave a race-against-time thriller with his debut film, Tamizhukku En 1-Ai Azhuthavum, with Pokkiri Raja, Ramprakash Rayappa gives us a masala movie that blends together comedy, history, and Stephen Chow-ish fantasy. The plot revolves around Sanjeevi (a somewhat jaded Jiiva) and his yawns, which are super contagious (they make an entire office sleepy). This often results in him being removed from his job. When he lends a helping hand to his colleague and girlfriend Sunita (Hansika, who gets close-up shots despite her bad lip-sync) in stopping men from urinating in public, he shames Cooling Glass Guna (Sibiraj, commendable as the comic villain), a gangster, and later, his yawn, which has become so forceful that it can shatter glass and throw people off the ground, also leads to Guna losing his eyesight. Sanjeevi comes to know of the history behind the power of his yawn, but Guna, who has regained sight, wants revenge. Pokkiri Raja is frustrating in quite a few stretches as instead of focussing on his main plot, Rayappa wastes time with unnecessary songs, a comedy track that is as cliched as casting Mano Bala as an office boss, and a romantic track that is lazily written. The hero set his eyes on the white-skinned heroine and starts to take an interest in her; and when he sees her doing social work (something that most Tamil film heroines seem to do), he instantly falls in love with her. But the film starts to find its feet. Sanjeevi's yawning problem gets an explanation (though it is also contradictory to what we are initially led to believe — that it could be fatal), and Rayappa uses this problem entirely for comic effect even into the climax, so the tone of the film remains light-hearted. And some of the set-ups of the previous scenes also have their payoff here — like Guna's henchmen believing that it is the ghost of the possessed woman he had murdered earlier being responsible for his loss of eyesight. Even the extended scene which involves Guna, who has got back his eyesight, discovering his sidekicks' attitude towards him is funny and Ramdas aces this scene. Ultimately, it is such constant stream of laughs in the second half make up for a first half full of yawns.

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