FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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ボーダーランズ
ボーダーランズ

ボーダーランズ

20241h 41m★ 5.6アクションサイエンスフィクションコメディ

あらすじ

謎めいた過去をもつ悪名高い賞金稼ぎのリリスは、銀河系で最も混沌とした惑星にして自らの故郷“パンドラ”に戻ってくる。 彼女の使命は、アトラスの行方不明の娘を見つけることだ。 リリスは、傭兵ローランド、放浪の解体者タイニー・ティナ、ティナの守護者クリーグ、風変わりな科学博士タニス、そして、賢い(?)ロボット、クラックトップと同盟を結成。 即席の寄せ集めヒーロー・チームは娘の捜索、そして惑星パンドラに秘められた謎を明らかにすべく、危険な冒険へと旅立つ。

作品考察・見どころ

本作の最大の魅力は、圧倒的な色彩美とパンクな熱量が炸裂するビジュアルの完成度にあります。オスカー俳優ケイト・ブランシェットをはじめとする豪華キャストが、アクの強いキャラクターたちを唯一無二の存在感で体現しており、銀河の辺境を舞台にした狂気的なエネルギーが画面から溢れ出しています。一癖あるアウトローたちが織りなす予測不能な化学反応は、観る者の高揚感を極限まで引き上げます。 単なるアクションに留まらず、孤独な魂たちが絆を深めていく普遍的なテーマが、過激な演出の中に深い叙情性をもたらしています。ジャック・ブラックのユーモアが絶妙なスパイスとなり、冷酷なディストピアに温かな人間味を添えている点も見逃せません。映像の隅々に宿る遊び心と、運命を切り拓こうとする力強いメッセージが、観客の心に強烈なインパクトを残す傑作です。

興行成績

製作費: $115,000,000 (173億円)

興行収入: $33,017,367 (50億円)

推定収支: $-81,982,633 (-123億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ケイト・ブランシェット
ケイト・ブランシェット
Lilith
ケヴィン・ハート
ケヴィン・ハート
Roland
エドガー・ラミレス
エドガー・ラミレス
Atlas
ジェイミー・リー・カーティス
ジェイミー・リー・カーティス
Tannis
アリアナ・グリーンブラット
アリアナ・グリーンブラット
Tiny Tina
Florian Munteanu
Florian Munteanu
Krieg
Janina Gavankar
Janina Gavankar
Knoxx
ジャック・ブラック
ジャック・ブラック
Claptrap (voice)
Benjamin Byron Davis
Benjamin Byron Davis
Marcus
Olivier Richters
Olivier Richters
Krom

スタッフ・制作会社

監督: イーライ・ロス

脚本: Joe Crombie / イーライ・ロス

音楽: スティーブ・ジャブロンスキー

制作: アヴィ・アラッド / Ari Arad / Lucy Kitada

撮影監督: Rogier Stoffers

制作会社: Lionsgate / Arad Productions / Picturestart / Gearbox Studios / 2K / Hercules Film Fund

TMDB ユーザーのレビュー

r96sk
r96sk
★ 7

Never played the game, enjoyed the film. I have heard of the video game that <em>'Borderlands'</em> is based upon, though my knowledge of it doesn't extend past that one and only fact. I knew nothing else about it, so I can't comment on this in regards how well it adapts the game. As a movie though, I did get the required enjoyment from it. Sure the story could've been greater, but what's produced kept me watching all the way through - it's a watchable flick. I did like the cast and characters, all of whom I found suitably interesting. Cate Blanchett is good fun in the lead role, Kevin Hart is perhaps a tad underused but satisfactory nonetheless, while Ariana Greenblatt impresses. Jack Black is the one I enjoyed most, admittedly that's no surprise given I am a fan of that guy as an actor. I will say that his character is the opposite of Hart's Roland, in that I think the filmmakers should've utilised him less - he does get a bit too much screen time for a side character. However, as it's Black voicing Claptrap I can't possibly say I didn't like seeing him. <i>*now looks to see how this has been received thus far*</i> Well, shit. Granted, I do see the <em>'Guardians of the Galaxy'</em> attempted resemblance.

valardohaeriz
valardohaeriz
★ 5

10 minutes is and the acting is already bothering me. Why are they all smiling like it's all a joke, totally does not fit the background or mood of the set. How can a movie with such complex and elaborate set, costume design and background can have such a bland, forgettable character with such a boring storyline? I suppose it is not the fault of the movie because it follows the story of a video game? Yet it remains true. I think there's too many characters and not enough time to explore each character. They could have just pick one or two characters for this movie and then add a bit more on the next sequel.

CinemaSerf
CinemaSerf
★ 6

Oh come on - it's not that bad! True, there isn't an original thought in it's hundred minute duration and it does look like a very poor relation to a video-game, but it's "Mad Max" meets "Buck Rogers" vibe just about entertained me. It's all about "Lilith" (Cate Blanchett) who is a renowned bounty hunter charged by gazillionaire "Atlas" (Edgar Ramirez) with finding his kidnapped daughter "Tina" (Ariana Greenblatt). Thing is, she's already been rescued by "Roland" (Kevin Hart) and is in no great rush to return to the loving arms of daddy. Whilst trying to track her down, "Lilith" encounters the true star of the film - the robot "Claptrap", a sarcastic pile of scrap who decides to help out whether she likes it or not, so off they go a-child-hunting. Yep - it proceeds exactly as you'd expect, except for the frankly bamboozling contribution of Jamie Lee Curtis (and her red glasses) who does look like she's enjoying herself on set but, like Blanchett, is just a complete fish out of water as the banal dialogue and set-piece combat scenes pass the entire project into the hands of the CGI developers. This is nothing at all special or memorable, just a predictable action enterprise that takes "Robot Wars" to the desert, but if you aim low and take it in the spirit it's clearly intended then it's a perfectly watchable summer adventure.

UWotMatez
UWotMatez
★ 1

I just have a question on what world Hollywood is living in to believe this would be in any way a success. We've have how many writer strikes for better pay and this is the outcome for people supporting them? Nah, sorry I'm not a borderlands fan game wise, its simply not my cup of tea but I can see the appeal that so many love about it especially with friends. However I am still familiar with the characters and seeing this film completely destroy them is a slap to the face. If you aren't going to respect the lore/source of whatever book or game you're taking it from don't make it at all. PS - Kevin Hart as Roland? Really? How many drugs are legal in Cali?

TheSceneSnobs
TheSceneSnobs
★ 1

This is one of the worst movies I have ever seen. To preface, I want to clarify that I know nothing about the Borderlands video games—I’ve never played them, and I have no bias against them. However, I approached this movie with some trepidation, knowing Eli Roth's track record with handling other IPs has been less than stellar. From the outset, Borderlands feels like a blatant attempt to rip off Guardians of the Galaxy. The influence is undeniable, but Roth clearly missed what made Guardians so special. Borderlands is one dance-off scene short of being a direct copy, but even if Roth had included a dance-off, he probably would have cast an Australian Olympic breakdancer—an ill-fitting choice emblematic of how off-target this film is. The movie throws the audience into a barrage of nonsensical twists and turns that lack coherence or purpose. The narrative seems to be constantly shifting, yet never in a way that feels organic or meaningful. The lack of a coherent plot makes it difficult to stay invested, and the film quickly becomes tedious. Another glaring issue is the film's failure to create any meaningful connection between its main characters. In Guardians of the Galaxy, the chemistry among the team is a driving force, making their adventures feel both exciting and emotionally resonant. In contrast, Borderlands completely misses this mark. The characters are paper-thin, with little to no development, and their interactions lack the spark needed to make the audience care about their journey. Visually, the film also disappoints. The aesthetic choices, from the set design to the visual effects, fail to create a compelling or immersive world. The film’s attempt to capture the wild, chaotic energy of the Borderlands universe falls flat, resulting in a bland and uninspired visual experience. Overall, Borderlands is a truly boring movie, devoid of character development, narrative coherence, or visual appeal. It’s a film that not only fails to honor the spirit of its source material but also fails to stand on its own as an entertaining piece of cinema. Eli Roth’s attempt to capture the magic of Guardians of the Galaxy is misguided and ultimately unsuccessful, resulting in a forgettable and frustrating experience. This movie serves as a reminder that simply mimicking successful formulas without understanding what makes them work is a recipe for disaster.

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