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Hard Edge
Hard Edge

Hard Edge

19971h 25m★ 7.0アクション

あらすじ

No synopsis available.

予告・トレイラー

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興行成績

製作費: $1,500,000 (2億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

スタッフ・制作会社

監督: Caleb Lindsay

脚本: Caleb Lindsay

音楽: Matthew Collinge / Justin Searle

制作: Daniel M. San / Caleb Lindsay

撮影監督: John Keedwell

制作会社: DMS Films Limited / Amsell Entertainment

口コミ

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キャスト

No Image
Simon Bateso
Ben Fox
No Image
Matt Lane
Jim Watts
Bryan Marshall
Bryan Marshall
Robert Kay
No Image
David O'Kelly
Sarge
No Image
Luke Shaw
John Davis
No Image
Emma Lyndon-Stanford
Anne Taylor
No Image
Deborah Boxall
Pauline
No Image
Donovan McIntosh
Bill Pike
No Image
Pete Freeman
Head Poacher
No Image
Ian Prince
Poacher

TMDB ユーザーのレビュー

AshFliX
AshFliX

Hard Edge” is a wannabe survival drama set in cozy rural England that mostly fires blanks. Second low-budget feature from young Brit director Caleb Lindsay, who bowed three years ago with the slight but promising Gen-X dramatic comedy “Chasing Dreams,” is torpedoed by blah dialogue and largely collegiate playing. Tightening by some 10 minutes could make this privately funded item a passable vid entry for undiscriminating couch potatoes. Prime candidate for shearing is an awkward six-minute pre-credit sequence of the two leads, bearded John (Luke Shaw) and balding Ben (Simon Bateso), fooling around in their London office. The repartee marginally improves as the two guys drive through rural southern England to a survival-games weekend, where they immediately get on the wrong side of the psychotic sergeant in charge (David O’Kelly). Story really begins a half-hour in when, having been kicked off the weekend, John and Ben linger in the region instead of heading straight back to London. They first bump into Jim (Matt Lane), a computer nerd they’d befriended at the games, and then the sergeant, who drunkenly challenges the trio to a rematch the next day. Catch is, sarge and his bozo pals come armed with real guns. With better dialogue and more professional actors, the idea of a bunch of townies being trapped in an irreal circle of violence somewhere between “Deliverance” and “Straw Dogs” could have worked, and in the second half, as the aggression escalates, the pic occasionally hits its stride. Lindsay shows a natural talent for widescreen compositions that ensures a good-looking product, and other tech contributions are pro. Shaw (good in “Chasing Dreams”) is variable as John, the voice of quiet reason, and Bateso miscast as party animal Ben; O’Kelly is comically over-the-top as the loony sergeant. The presence in two scenes of veteran actor Bryan Marshall, as the lads’ London boss, hints at what the pic could have achieved with more experienced thesps. Producers have already cut two minutes from the running time since the Cannes market preem caught.

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