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The Clay Pigeon
The Clay Pigeon

The Clay Pigeon

19491h 3m★ 5.5スリラー犯罪

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Richard Fleischer

脚本: Carl Foreman

音楽: Paul Sawtell

制作: Herman Schlom

撮影監督: Robert De Grasse

制作会社: RKO Radio Pictures

口コミ

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キャスト

Bill Williams
Bill Williams
Jim Fletcher
Barbara Hale
Barbara Hale
Martha Gregory
Richard Quine
Richard Quine
Ted Niles
Richard Loo
Richard Loo
Ken Tokoyama
Frank Fenton
Frank Fenton
Prentice
Frank Wilcox
Frank Wilcox
Navy Hospital Doctor
Marya Marco
Marya Marco
Helen Minoto
Robert Bray
Robert Bray
Gunsel Blake
Martha Hyer
Martha Hyer
Miss Harwick
No Image
Harold Landon
Blind Veteran

TMDB ユーザーのレビュー

John Chard
John Chard
★ 6

Lean mean amnesia machine. *** This review contains a spoiler *** The Clay Pigeon is directed by Richard Fleischer and written by Carl Foreman. It stars Bill Williams, Barbara Hale, Richard Quine and Richard Loo. Music is by Paul Sawtell and cinematography by Robert De Grasse. Jim Fletcher (Williams) is a survivor of a Japanese prisoner-of-war camp who awakes from a coma with amnesia, and a charge of treason against him! Escaping hospital he aims to recover his memory and hopefully clear his name. The secret may be with another ex-POW inmate and the wife of the man who was killed on account of his supposed treason. Stripped down to the bare essentials by Fleischer, The Clay Pigeon is a one hour TV episode in essence. Dealing in that old noir favourite, that of amnesia, the director doesn't hang around to build any sort of supporting characters. This is firmly a two character piece as Williams and Hale (real life husband and wife) run through a narrative that has her initially hostile towards him, only to then unsurprisingly warm to him as events conveniently fall into place to prove his innocence. There's a willingness to balance out the anti Japanese slant that initially hangs over the story, and a twist in the tale, whilst hardly a surprise, earns writer Carl Foreman some grace to forgive the poor contrivances elsewhere. The night time sequences are nicely noirish, without really adding any sort of psychological dimension to the atmospherics, and the cast are adequate as per the quality of production. All told it's an enjoyable enough B-level noir out of RKO, even if it's hardly essential viewing. 6/10

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