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A Cry in the Night
A Cry in the Night

A Cry in the Night

19561h 15m★ 5.2スリラー犯罪

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Frank Tuttle

脚本: David Dortort / Whit Masterson

音楽: David Buttolph

制作: George C. Bertholon

撮影監督: John F. Seitz

制作会社: Ladd Enterprises / Jaguar Productions

口コミ

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キャスト

Edmond O'Brien
Edmond O'Brien
Dan Taggart
Brian Donlevy
Brian Donlevy
Ed Bates
Natalie Wood
Natalie Wood
Elizabeth
Raymond Burr
Raymond Burr
Harold Loftus
Richard Anderson
Richard Anderson
Owen Clark
Irene Hervey
Irene Hervey
Helen Taggart
Carol Veazie
Carol Veazie
Mabel Loftus
Mary Lawrence
Mary Lawrence
Madge Taggart
George J. Lewis
George J. Lewis
George Gerrity
Anthony Caruso
Anthony Caruso
Tony Chavez

TMDB ユーザーのレビュー

John Chard
John Chard
★ 5

Don’t go walking down lovers loop, with anyone else but me. A Cry in the Night is directed by Frank Tuttle and adapted to screenplay by David Dortort from Whit Masterson’s novel All through the Night. It stars Edmond O’Brien, Brian Donlevy, Natalie Wood, Raymond Burr and Richard Anderson. Music is by David Buttolph and cinematography by John F. Seitz. Not a great deal to sing about here, which is a shame because the potential for an electric thriller is right there on the page. Burr plays a peeping tom type who is dominated by his mother, during one of his “sessions” up at Lovers Loop he gets caught and during the altercation he knocks out Anderson’s boyfriend and kidnaps Wood, who happens to be the daughter of O’Brien’s policeman. Film then relies on police procedural for its narrative thrust, stopping occasionally to tease us with serious parental issues on both sides of the fence, all while Burr acts on the edge of sanity whilst holding Wood captive in a remote old shack. Apricot Pie. The subject matter is a hot potato, but nothing ever rings true on account of cheap production values and uninspiring direction. Seitz does the best he can to create sweaty atmosphere via his camera lenses, and Buttolph’s score is at one with the melodramatics. Unfortunately the cast are poor, with O’Brien unusually wooden, Burr not convincing, Donlevy is going through the motions and Anderson is not only dull, he’s a bit old for the teen lover character he is playing. Wood comes out with credit and her scenes with Burr are the best parts of he film, while Carol Veazie as the domineering mother is a hoot. The back stories to the making of the film are far more interesting than the film itself! 5/10

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