““お義父さん”お呼ばせないための戦いが今、始まる！！”
印刷会社の社長を務めるネッドは、愛する妻や子どもたちに囲まれて順風満帆な人生を歩んできた。そんなある日、大学に通いながらひとり暮らしをしている娘ステファニーにレアードという恋人がいることが判明。レアードはIT長者だが、超ハイテンションで口が悪く全身タトゥーだらけの青年だった。休暇をレアードの家で過ごす羽目になったネッドは、最愛の娘を彼から引き離すべく躍起になるが……。
AIが作品の魅力を深く読み解いています
製作費: $38,000,000 (57億円)
興行収入: $118,102,725 (177億円)
推定収支: $80,102,725 (120億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: John Hamburg
脚本: ジョナ・ヒル / Ian Helfer / John Hamburg
音楽: セオドア・シャピロ
制作: ジェームズ・フランコ / ジョナ・ヒル / ベン・スティラー
撮影監督: Kris Kachikis
制作会社: 21 Laps Entertainment / TSG Entertainment / 20th Century Fox / Red Hour / 75 Year Plan Productions
**Printing biz meets the app biz! Paper versus digital!** This is not the theme something you could see for the first time. I have seen many classics, probably you would have as well. But the difference is it was a different cast and a bit modernised. Modernised means just the story set in the todays technological trend world like almost everything that related to AI we use in our daily life. It's yet to be a lifestyle, I mean new norm. So you can see a few people who had already progressed like we say Silicon/IT guys. That's the background and with the same old concept that the parents, particularly the father of the girl meets her boyfriend. When they do, those misunderstanding, generation gap and what else, all hell breaks loose. The comedies were okay. In some places it was too much. Instead of a laugh, it only annoyed. Though there were some good jokes, except I hardly had any good laugh in my entire watch. I remind you again that it was an okay film. Some people might find it good, some won't. Still a watchable film for the good performances. It's a face-off between James Franco and Bryan Cranston as expected. Elon Musk was a surprise. It had several opportunities to be better like turnaround its narration, yet they stuck with the same concept for the whole film. So other than mild entertainment, there's nothing in it to laud. I hope it all had ended here. Please, no sequel. _5/10_
