ベロニカとの記憶
あらすじ
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作品考察・見どころ
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興行収入: $5,081,495 (8億円)
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No synopsis available.
AIが作品の魅力を深く読み解いています
興行収入: $5,081,495 (8億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: リテーシュ・バトラ
脚本: Julian Barnes / Nick Payne
音楽: Max Richter
制作: Ed Rubin / David M. Thompson / Christine Langan
撮影監督: Christopher Ross
制作会社: Origin Pictures / BBC Film / FilmNation Entertainment
Told via twin timelines in the life of "Tony Webster"; this is quite a gentle introspective on the way we live our lives and of the relatively significant impact of some equally insignificant decisions we make as we go along. Billy Howle is the younger version who has a fling with "Veronica'. Fast forward forty-odd years and we find Jim Broadbent in the role - the owner of a small camera shop - who is left a diary in the will of the girl's mother. The ensuing story unravels what happened to their relationship back then, and we see something of how it may develop in the present (with Charlotte Rampling); and of how "Tony" has evolved via his failed marriage to Dame Harriet Walter and his relationship with his expectant daughter Michelle Dockery. There are a few good scenes with Matthew Goode as the teacher and Joe Alwyn also stands out as 'Adrian Finn". The adaptation of Julian Barnes' novel is, however, a wee bit stodgy - and the film relies very heavily on the charisma of Rampling, Broadbent and a good effort from Howle to make much impact. It is intelligently done, but told from a very one-sided perspective.
