FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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裸足の伯爵夫人
裸足の伯爵夫人

裸足の伯爵夫人

19542h 8m★ 6.8ドラマ
Amazon Prime Video
Amazon Prime Video with Ads

あらすじ

No synopsis available.

作品考察・見どころ

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興行成績

興行収入: $6,600,000 (10億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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Amazon Prime Video
Amazon Prime Video with Ads

キャスト

Humphrey Bogart
Humphrey Bogart
Harry Dawes
Ava Gardner
Ava Gardner
Maria Vargas
Edmond O'Brien
Edmond O'Brien
Oscar Muldoon
Marius Goring
Marius Goring
Alberto Bravano
Valentina Cortese
Valentina Cortese
Eleanora Torlato-Favrini
Rossano Brazzi
Rossano Brazzi
Count Vincenzo Torlato-Favrini
Elizabeth Sellars
Elizabeth Sellars
Jerry
Warren Stevens
Warren Stevens
Kirk Edwards
Franco Interlenghi
Franco Interlenghi
Pedro Vargas
Mari Aldon
Mari Aldon
Myrna

スタッフ・制作会社

監督: Joseph L. Mankiewicz

脚本: Joseph L. Mankiewicz

音楽: Mario Nascimbene

撮影監督: Jack Cardiff

制作会社: Figaro Incorporated Production / Transoceanic Film / United Artists

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Occasionally narrated by Humphrey Bogart, he regales us with his story as the down on his luck Hollywood writer/director "Dawes" who alights on a tavern dancer in Madrid. "Maria Vargas" (Ava Gardner) is a woman with striking good looks and an aloofness that he immediately sees stardom in. Luckily his spoilt rich-kid backer "Edwards" (Warren Stevens) agrees to give her a screen test, but a combination of his own fecklessness and some competitive manoeuvring from "Dawes" creates quite an interest, an interest well fanned by PR man "Muldoon" (Edmond O'Brien). We know right from the start that she has died - we turn up at her funeral - and this film has something of a piece of musical vinyl to it. The first half side illustrates her rise to fame and fortune, her marriage and her death. Flip it over and we get a tale of just how she fell in love with "Count Torlato-Favrini" (Rossano Brazzi) and ultimately came a cropper. The constant being the increasing affection "Dawes" and "Vargas" share as their professional paths diverge and their friendship - entirely platonic - solidifies. Gardner could look quite cold sometimes on screen, but here she and Bogart exude a certain warmth through their characters, goaded nicely by the increasingly exasperating and brattish "Edwards" and also by the rather cruel and bullying "Bravano" - another solid effort from Marius Goring. It takes quite a swipe at the film industry - people obsessed with finding the pot of gold at the end of the rainbow - regardless of whether there's any gold or any rainbow, and the threads tie rather poignantly, if a little sadly, at the conclusion. It's a stylishly photographed production that looms great and showcases a strong ensemble of talent.

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