長老殺しの罪で追放されていたヴァンパイア（吸血鬼）処刑人セリーンは、ある日突如、ヴァンパイア族に呼び戻される。 ヴァンパイア族の宿敵である狼男のライカン族が新たなリーダー・マリウスの登場により猛攻を開始、ヴァンパイア族が劣勢に立たされたため、兵士の養成役として彼女が選ばれたのだ。 セリーンは行方不明になっている娘のイヴをライカン族から守るため、再び戦うことを決意する。
製作費: $35,000,000 (53億円)
興行収入: $81,093,313 (122億円)
推定収支: $46,093,313 (69億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Anna Foerster
脚本: Danny McBride / Kevin Grevioux / レン・ワイズマン
制作: トム・ローゼンバーグ / Skip Williamson / David Kern
撮影監督: Karl Walter Lindenlaub
制作会社: Lakeshore Entertainment / Screen Gems / Sketch Films
Visually has a lot of the things _Underworld_ is known for, but in terms of quality? Well if you liked _Awakening_, you'll like this. Because they're basically the same film. I for one liked neither. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Some things will never change within the tedious and surprisingly long-running sci-fi/horror saga **Underworld** film franchise. The vampires will still feature sharp fangs that can pierce a hardened leather sofa with one bite and the werewolves will be hairier than the local women’s wig shop. Of course the curvaceous heroine of this Gothic gumball machine of a flick–_Love & Friendship’s_ Kate Beckinsale–will predictably wear leather-clad attire that will cling to her shapely body tighter than a preschooler hanging on to his mother’s leg because he is scared to enter the classroom for the very first time. What also is expected not to change anytime soon is the sluggish intrigue, overblown supernatural creatures acting more obnoxious than your drunk Uncle Jake wearing a bra at the family cookout and Beckinsale’s womanly warrior Selene acting as the badass bloodsucking babe out to mediate the conflicting forces that persist. Yes folks…you heard correctly that this is the fifth installment of the **Underworld** universe that sits there and makes its presence known with all the force and feisty relevance of unwanted luggage left at the airport. First-time feature director Anna Foerster (from TV’s “Outlander”) takes a crack at instilling some frolicking freshness in the turgid, cheesy **Underworld: Blood Wars**–a banal B-movie confection that Dracula would refuse to acknowledge even if there was a free showing at the local blood bank. Relentlessly flat, unimaginative and woefully recycled, **Blood Wars** offers nothing inviting or challenging for its aforementioned fifth time around the block and should have resisted the need to go beyond its 2003 Len Wiseman-directed release nearly fourteen years ago. Nevertheless, the devoted fanboys gave battleground beauty Beckinsale a theatrical movie gig (along with the rising popularity of the vampires/werewolves craze in cinema) that has lasted for an impressive long time as inexplicable as that sounds. However, lasting power does not necessarily mean a hill of beans with the one-note notion of a former orphaned vampire gal transforming into a beastly butt-kicking wrecking ball as the fatal feuding between the Lycans (a.k.a. “lycanthrope” or werewolves) and vampires escalates to a new level of chaos. Sure, Selene is not exactly as convincingly clever or calculating as Aliens’ Ripley (then again who is, right?) but she certainly is cut out of the same generic cloth as _Resident Evil’s_ Alice (for which pre-dates the **Underworld** experience as well as offering a longer string of sequels). Foerster assures that **Underworld: Blood Wars** wastes no time in getting to the punchy antics of its silly-minded action sequences–some mired in empty-headed fun while other takes are needlessly monotonous. Screenwriters Cory Goodman and Kyle Ward stock up on the fluffy cliches of this toothless tease of a frivolous fable as the thin plot flies every which way more than Beckinsale’s golden locks during a heated scuffle. Sophomoric dialogue, formulaic confrontations and the dullness of opposing fierce factions set aside **Blood Wars** does make reasonable usage of its lethal leather-wearing lass Selene/Beckinsale in eye-rolling combat and the CGI visuals are engaging when not looking choppy in some instances. The fact that Selene has to negotiate some compromise for either side does introduce some slight sense of tension amid the roguish warfare and Beckinsale sells this quite accordingly to a certain degree. However, **Blood Wars** will definitely serve as comfort junk food for those legions of followers that have familiarized themselves with Selene’s jolting journey as she maneuvers through the manic mess that involves her blood-thirsty species taking on the hellish hairballs that are the defiant Lycans. For first-time **Underworld** viewers or the casual crowd they will witness an under-cooked, ridiculously trite terror tale of an actioner that is sure to leave **Blood Wars** as nothing more than a false sense of second-hand stimulation. A generic exercise in the making, Foerster’s brooding bombshell in Beckinsale’s Selene is serviceable for a fifth go-around but that is really not saying too much given that the material never seems to revolve her from some of her past misadventures through the four previous **Underworld** entries. The supporting players–such as Charles Dance’s elder vampire Thomas, Theo James’s David (the male Selene perhaps?), Lara Pulver’s Semira and Tobias Menzies’s Marius–are accomplished performers in their own right but they add little atmosphere to the hackneyed hedonism that toils within this supernatural stupor. No need to put the stake through the heart of these returning vampires and werewolves because they have proven time in and time out over again that the sultry Selene and her creature feature bickering buddies are not budging anytime soon after almost fifteen years of conjuring up surreal nonsense. Kinda makes you consider putting a stake through your own chest, huh? **Underworld: Blood Wars** (2017) Lakeshore Entertainment 1 hr. 31 mins. Starring: Kate Beckinsale, Theo James, Charles Dance, Tobias Menzies, Lara Pulver, James Faulkner, Clementine Nicholson, Peter Andersson Directed by: Anna Foerster MPAA Rating: R Genre: Sci-Fi/Horror/Action & Adventure/Fantasy Critic’s rating: * 1/2 stars (out of 4 stars) (c) **Frank Ochieng** (2016)
You know what to expect by now. This series has been going on so long now that this movie almost comes across as a throwback, since it's still drenched in all the post-MATRIX visual cliches. Beckinsale is as remarkably photogenic as ever, but the camera never lingers on her face for more than about two seconds. The running time is as tight as her costume, and it feels rushed. We have a few decent fight scenes but the gunplay is just a mush of noise with very little in the way of cool choreography. Still, there's fun to be had watching the gore and all the scenery-chewing that's going on.
This franchise was a thing back then when the Matrix phenomenon was at force but now a days they should let it rest, otherwise a cluster of nonsense, much like the Resident Evil movie franchise, it is sure to become. In other words the movie ain't that bad but this entry is just franchise milking at this point. I wouldn't mind if it would be made a video game franchise though.
I think it is fairly safe to say that if you did not like any of the other installments in the Underworld movie series then you will not like this one. As usual with these kind of movies it is one where you preferably switch of most higher brain functions before watching and just sit down and enjoy the show. The movie is certainly not a masterpiece when it comes to story and script. Actually the script is, at times, fairly crappy. There are for example a sequence were the Lycans are attacking the stronghold castle of the Vampires and the script writer taught it was a good idea to just let them drive straight into the center of the castle and breach the door before they got challenged. What the f…? On the whole the script is a typical Hollywood B-movie concoction that holds little merit. If this would have been the first movie in the series I think there would never had been a series made at all. So why did I like it then? Well, even if the script is nothing to write home about it is not a total disaster and it serves as an excuse to provide 90 minutes of good entertaining Vampire vs Lycan action. Plain and simple. Of course Kate Beckinsale is a good reason for liking the movie as well. Her moving around in her intimidating (and good looking) skintight clothes slashing up Lycans in various creative ways makes up for some of the not so stellar script. I probably pissed of a bunch of feminists there but it is not really like a care about that. The action and the CGI is reasonably well done and another reason to like the movie. Actually, come to think about it, Kate Beckinsale, the action and the CGI is pretty much the reasons I liked this movie. They could have selected a more charismatic bad guy though. For most of the movie I felt Marcus was bland and even a bit dull. It is not the best movie in the series but it does not exactly shame the series either. For me, I have to rate my enjoyment of it as above average compared to movies in general.
