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Deadline at Dawn
Deadline at Dawn

Deadline at Dawn

19461h 23m★ 6.2謎スリラーロマンス

あらすじ

No synopsis available.

作品考察・見どころ

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スタッフ・制作会社

監督: Harold Clurman

脚本: Clifford Odets / Cornell Woolrich

音楽: Hanns Eisler

制作: Sid Rogell / Adrian Scott

撮影監督: Nicholas Musuraca

制作会社: RKO Radio Pictures

口コミ

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キャスト

Susan Hayward
Susan Hayward
June Goffe
Paul Lukas
Paul Lukas
Gus Hoffman
Bill Williams
Bill Williams
Alex Winkler
Joseph Calleia
Joseph Calleia
Val Bartelli
Osa Massen
Osa Massen
Helen Robinson
Lola Lane
Lola Lane
Edna Bartelli
Jerome Cowan
Jerome Cowan
Lester Brady
Marvin Miller
Marvin Miller
Sleepy Parsons
Roman Bohnen
Roman Bohnen
Frantic Man with Injured Cat
Steven Geray
Steven Geray
Edward Honig

TMDB ユーザーのレビュー

John Chard
John Chard
★ 7

People with wax heads should keep out of the sun! Deadline at Dawn is directed by Harold Clurman and adapted to screenplay by Clifford Odets from the novel written by Cornell Woolrich. It stars Susan Hayward, Paul Lukas, Bill Williams, Joseph Calleia, Osa Masson and Lola Lane. Music is by Hans Eisler and cinematography by Nicholas Musuraca. Sailor Alex Winkley (Williams) wakes up with hangover amnesia to find he has a wad of cash on his person that he didn't have before his drunken exploits. Enlisting the help of dancer June Goth (Hayward), he retraces his steps to the home of the nightclub hostess who had befriended him the night before. Finding the woman dead, Alex doesn't know if he murdered and robbed her? So with the clock ticking, Alex and his friend have to find out what happened... "She's a blitzkrieg with hair on her head" Amnesia formed the backbone of many a good film noir picture, here we have a familiar theme brought about by a simple social occurrence, that of a drunken night. This sets us up for a mystery to be solved as our protagonists trawl through a backlot produced night time New York that's awash with a whole array of damaged or menacing characters. The dialogue is often sharp, where we get plenty of choice one liners and superb philosophical musings from Lukas' taxi driver who has joined the fight to prove Alex's innocence (in fact all the cabbies in this are real cool). This was Clurman's only big screen directing assignment, and in truth it's just a passable job and he's saved by strong turns from Hayward and Lukas. However, there's a nifty noir world painted and the pic constantly holds interest value. 7/10

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