FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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IT/イット “それ”が見えたら、終わり。
IT/イット “それ”が見えたら、終わり。

IT/イット “それ”が見えたら、終わり。

“子供が消える町に、“それ”は現れる。”

20172h 15m★ 7.2ホラースリラードラマ

あらすじ

“それ”は、ある日突然現れる。一見、平和で静かな田舎町を突如、恐怖が覆い尽くす。相次ぐ児童失踪事件。内気な少年ビルの弟も、ある大雨の日に外出し、通りにおびただしい血痕を残して消息を絶った。悲しみに暮れ、自分を責めるビルの前に、突如“それ”は現れる。“それ”を目撃して以来、恐怖にとり憑かれるビル。しかし、得体の知れない恐怖を抱えることになったのは、彼だけではなかった。不良少年たちにイジメの標的にされている子どもたちも“それ”に遭遇していた。自分の部屋、地下室、バスルーム、学校、図書館、そして町の中……何かに恐怖を感じる度に“それ”は、どこへでも姿を現す。ビルとその秘密を共有することになった仲間たちは“それ”に立ち向かうことを決意するのだが…。真相に迫るビルたちを、さらに大きな恐怖が飲み込もうとしていた―。

作品考察・見どころ

本作の真髄は、怪異ペニーワイズを子供たちが抱える孤独やトラウマの象徴として描いた点にあります。ビル・スカルスガルドの圧倒的な怪演は、目に見えない不安を鮮烈に視覚化し、観る者の深層心理を揺さぶりながら、誰もが持つ「心の影」を浮き彫りにします。 瑞々しく不穏な映像美が、負け犬たちの脆くも力強い連帯を際立たせます。恐怖を直視し、仲間と共に乗り越えていく成長のカタルシスは圧巻です。音響と映像の緩急によって生み出される緊張感は、映画という媒体でしか到達できない没入感をもたらし、私たちの魂を震わせる至高の物語へと昇華されています。

興行成績

製作費: $35,000,000 (53億円)

興行収入: $719,766,009 (1080億円)

推定収支: $684,766,009 (1027億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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特集レポート

FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。

『死霊館』ほか絶叫と興奮が交錯する王道ホラー映画5選

FindKey Editorial2026/3/3

【決定版】静寂が牙を剥く!『死霊館』ほか心臓を揺さぶる至高のジャンプスケア映画5選

FindKey Editorial2026/2/3

恋人と震える、至高の刺激。夜を濃密にする『極限の恐怖』セレクション

FindKey Editorial2026/1/11

キャスト

ジェイデン・リーバハー
ジェイデン・リーバハー
Bill Denbrough
Jeremy Ray Taylor
Jeremy Ray Taylor
Ben Hanscom
Sophia Lillis
Sophia Lillis
Beverly Marsh
フィン・ウルフハード
フィン・ウルフハード
Richie Tozier
Chosen Jacobs
Chosen Jacobs
Mike Hanlon
Jack Dylan Grazer
Jack Dylan Grazer
Eddie Kaspbrak
ワイアット・オレフ
ワイアット・オレフ
Stanley Uris
ビル・スカルスガルド
ビル・スカルスガルド
Pennywise
Nicholas Hamilton
Nicholas Hamilton
Henry Bowers
Jake Sim
Jake Sim
Belch Huggins

スタッフ・制作会社

監督: アンディ・ムスキエティ

脚本: スティーヴン・キング / キャリー・フクナガ / Chase Palmer

音楽: ベンジャミン・ウォルフィッシュ

制作: ダン・リン / Jon Silk / Seth Grahame-Smith

撮影監督: 정정훈

制作会社: New Line Cinema / Vertigo Entertainment / Lin Pictures / KatzSmith Productions

TMDB ユーザーのレビュー

Simon Foster
Simon Foster

"Skarsgård goes to hell and back to craft a truly malevolent creation, utterly believable as the black soul of King’s cursed small town..." Read the full review here: http://screen-space.squarespace.com/reviews/2017/9/6/it.html

Nay Myo Myat Ko
Nay Myo Myat Ko
★ 1

**This movie went right to the trash.** I cannot believe what Warner Bros has done for this piece of trash. Yes, there have been rave reviews for this movie, but we recommend that you do not mind them, as we should not be teaching children on how to safely get sodomized by a monster. These directors' brains are also in the trash. Now let's put the MPAA R rating right into the trash where it is supposed to go. Final warning: **Don't let your kids watch trash.**

Gimly
Gimly
★ 7

More _Fucked-Up-Coming-of-Age_ than _Monster-Movie-Slasher-Horror_. Which is what it should be, but perhaps not what it's marketed to be. Stephen King's _It_ is one of my all time favourite books, and I don't know that it will ever get a faithful adaptation (totally understandable seeing as the thing is 1200 pages and contains a multi-book spanning mythology of Space Gods and Turtle vomit), but this does a pretty good job of interpreting the feeling of the novel, even if it's not a great adaptation the events as a whole. The kids are all great, Skarsgård makes for a good Pennywise, Pennywise improves as the piece moves forward, and the town is completely believable as "Derry" in the '80s. It may not be all it's purported to be, but is a very impressive film on its own merits. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

Rythwik
Rythwik
★ 8

If you are gonna watch this movie go to the theatres and watch it...It's way more scarier than Annabelle: Creation and you will have lots of jump scares too.

Frank Ochieng
Frank Ochieng

Something certainly rings true in the horror thriller **It** that capitalizes on that common known fear that clowns are creepy annoyances to those that have an intense phobia towards them. In the case of **It’s** dastardly powder-faced joyboy or shall we say corrosive killjoy Pennywise the Dancing Clown, he definitely takes the cake in terms of his treacherous tendencies to quiet the unsuspecting kiddies in devious fashion. Here is a tip, parents, do not invite the poisonous Pennywise to your kids’ birthday party any time soon to blow up balloons and sing songs. This is just a friendly little warning. There is more to elaborate on regarding the sicko circus funnypants freak later. Director Andy Muschietti (‘Mama’) delves into this surprisingly delicious twisted and terrorizing tale of a killer clown that gets his jollies off snuffing the lives out of rural-based youngsters in this calculating frightfest that pushes all the right buttons of panic and perversion. Skilfully edgy and traumatically tasty, **It** is a refreshing throwback to old-fashioned gory-minded gems where the boundaries of old-fashioned scare tactics were designed not only by the actual act of homicidal happenings but the mere suggestive nature of the heinous hedonism taking place. Polished and gripping in its shadowy and shifty overtones, **It** is convincingly probing as an absorbing psychological character study with an off-kilter sense of defiance in its naughty commentary on youthful innocence being compromised. Based on the novel from famed hair-raising author Stephen King, **It** delivers the solid, sordid goods of a wild and wicked imagination following the acidic exploits of a menacing clown in the aforementioned Pennywise (played with penetrating and devilish aplomb by Bill Skarsgard from ‘Atomic Blonde’) whose murderous methods of slaughtering the young has been a staple signature in his madness for centuries now. The surviving tykes in the quaint town of Derry, Maine must now safeguard themselves from the makeup-wearing whackjob and figure out a way to terminate the baggy-panted beast before he continues to strike again and victimize another doomed child. The backstory behind Pennywise’s existence is that he is some shape-shifting demon that emerges from the sewers only to target the unlucky rugrat in his immediate path while conniving, and conducting his blood-thirsty ways. However, there are a group of children that refuse to play dead for the demented clown and the quest to create an ill-advised showdown with the deplorable Pennywise would prove to be a very violent and mentally scarring experience in the process. The story centres around young Bill (Jaeden Lieberher, ‘Allegiant’) and his early encounter with the sadness of unknowingly witnessing Pennywise’s wrath as it was inferred that the clown had to do with the demise of his precious little brother, George (Jackson Robert Scott), who never returned after enthusiastically wanting to work on a fun project in the basement. This haunting revelation sticks with poor Bill until this very day. Nowadays, Bill must cope with the typical obstacles at school avoiding bullies and dealing with the pitfalls of peer pressure and needing to belong to a group of trusty associates. Thus, Bill is able to cement close relationships with the town’s other free-spirited youngsters. Still, there is that hovering myth about the mysterious sewers and, yes, the evil-minded Pennywise is at the forefront of fearful concern for Bill and the bunch. In fact, the gang will succumb to their collection of fears, paranoia and hesitation as the suburban legend of the creep-seeking clown clouds each of the kids’ tainted psyches. The ensemble of young actors in **It** all register accordingly with their characters’ childhood shock in trying to overcome the overwhelming and petrifying mindset that has invaded their sensibilities. Lieberher has an authentic raw turn as the lead lad invested in the bizarre boundaries of matching wits with the demonic chalk-skinned trickster and his committed craziness. The other supporting cast of exposed kiddies on this adventurous train wreck of terror includes Sophia Lillis (’37’), Finn Wolfhard (from television’s ‘Stranger Things’), Jeremy Ray Taylor (‘Alvin And The Chipmunks: The Road Chip’), Wyatt Oleff (‘Guardians Of The Galaxy”), Chosen Jacobs, Jack Dylan Grazer (‘Tales Of Halloween’) and Nicholas Hamilton (‘Captain Fantastic’). There is no doubt that Skarsgard’s clown of corrosion in Pennywise steals the show with his nefarious nature blistering shamelessly in seedy-minded elation. Clearly, Skarsgard chews the tarnished scenery with his abominable costumed cretin tip toeing on the unassuming sidelines while striking gory goosebump moments for his pubescent prey on screen and the twitchy audience off screen. Sure, **It** suffers from the conventional trappings of cheesy false alarm jolts and the obligatory lurking in the dark sequences are arbitrarily tossed in as an aftermath for the legitimate lunacy of our star-making crazed and corruptible clown to perform his showboating insanity. Besides, what horror showcase has not welcomed the invitation of the overused and abused jump-scare techniques highlighted by a jittery soundtrack? Still, Muschietti and screenwriters Chase Palmer, Cary Joji Funkunga and Gary Dauberman manage to supply the infectious and insidious **It** with well-executed scary shenanigans, well-paced anxiety, wavering vulnerability and decent acting on behalf of the performers that aptly brought to life the eerie visions and vitality of King’s complex, creative mind. Truly **It** is one of the best harrowing and in-depth horror/psychological thrillers to emerge in 2017. Also this titillating tale of cautionary kiddie chaos may be one of King’s formidable movie adaptions since the effective tension-filled, off-the-wall brilliance of 1990’s _Misery_. **It** (2017) Warner Bros. Pictures and New Line Cinema 1 hour 35 minutes CAST: Bill Skarsgard, Jaeden Lieberher, Sophia Lillis, Finn Wolfhard, Jeremy Ray Taylor, Wyatt Oleff, Chosen Jacobs, Nicholas Hamilton and Jack Dylan Grazer DIRECTOR: Andy Muschietti WRITERS: Chase Palmer, Cary Joji Funkunaga, Gary Dauberman MPAA Rating: R GENRE: Horror/Mystery & Suspense Critic’s Rating: *** stars (out of 4 stars) (c) **Frank Ochieng** 2017

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