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Blonde Venus
Blonde Venus

Blonde Venus

19321h 33m★ 6.8ドラマ

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Josef von Sternberg

脚本: Jules Furthman / S.K. Lauren / Josef von Sternberg

音楽: W. Franke Harling / John Leipold

制作: Josef von Sternberg

撮影監督: Bert Glennon

制作会社: Paramount Pictures

口コミ

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キャスト

Marlene Dietrich
Marlene Dietrich
Helen Faraday, aka Helen Jones
Herbert Marshall
Herbert Marshall
Edward 'Ned' Faraday
Cary Grant
Cary Grant
Nick Townsend
Dickie Moore
Dickie Moore
Johnny Faraday
Gene Morgan
Gene Morgan
Ben Smith
Rita La Roy
Rita La Roy
'Taxi Belle' Hooper
Robert Emmett O'Connor
Robert Emmett O'Connor
Dan O'Connor
Sidney Toler
Sidney Toler
Detective Wilson
Morgan Wallace
Morgan Wallace
Dr. Pierce
Al Bridge
Al Bridge
Bouncer (uncredited)

TMDB ユーザーのレビュー

talisencrw
talisencrw
★ 9

It's mesmerizing to watch von Sternberg and Dietrich at work in this melodrama, and fun to watch both her and Cary Grant in early roles before they became household names and cinematic legends. One can't help but sense the parallel between this story (Helen giving up her family to be a star) and her real life, as von Sternberg told her to give up her family and life in Germany as he would take her to America and make her a star.

CinemaSerf
CinemaSerf
★ 7

Definitely one of Marlene Dietrich's more sensitive and powerful - though not sentimental - performances as a wife and mother whose husband (Herbert Marshall) becomes ill with Radium poisoning. Faced with mounting bills for his expensive treatment in Germany, she returns to her previous work as a cabaret singer and is soon involved with millionaire "Nick Townsend" (Cary Grant). Marshall is heartbroken to discover her infidelity and there ensues a sort of cat-and-mouse game as she and her son flee and try to stay one step ahead of her chasing husband and authorities. The three principals deliver strong performances and who will ever forget "Hot Voodoo" performed in the gorilla costume? The son (Dickie Moore) is quite cute and albeit briefly, contributes to the tensions later in the film quite convincingly. Allegedly, the censors had a field day with this but what is left still flows well under Von Sternberg's able, if not exactly flamboyant, direction.

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