FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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フィフティ・シェイズ・ダーカー
フィフティ・シェイズ・ダーカー

フィフティ・シェイズ・ダーカー

“心の秘密は、 身体が知ってる。”

20171h 58m★ 6.5ドラマロマンス

あらすじ

恋愛未経験の純粋な女性・アナと、大企業のCEOである大富豪・グレイ。二人は強く惹かれあい、そして求めあいながらも、グレイの歪んだ愛の形をアナは受け入れきれず、彼の元を去る。やがて大学を卒業したアナは、出版社に就職し新生活を始める。一方グレイは、これまでの女性には感じることが出来なかったアナへの愛情に気づき、戻ってきて欲しいとアナにアプローチをする。秘かにグレイを想い続けていたアナは喜びを感じながらも、ある思いを胸に彼女の方から新たな条件を要求する。2人の未来に刺激的な生活と幸福が広がるかに見えた矢先、予期せぬ危機がアナとグレイに襲いかかる。

作品考察・見どころ

本作の真髄は、支配と服従という歪な関係が対等な愛へと進化していく魂の軌跡にあります。ダコタ・ジョンソンの凛とした瞳とジェイミー・ドーナンが放つ繊細な脆さ。二人の強烈なケミストリーが、自らの意思で愛を掴み取ろうとする力強い躍動感となり、観る者の心を激しく揺さぶります。 洗練された映像美と官能的な色彩感覚も圧巻です。言葉以上に雄弁なカメラワークは、単なるエロティシズムの枠を超え、トラウマを抱えた孤独な魂が再生していく重厚な人間ドラマを際立たせています。虚飾を剥ぎ取った先に現れる、真実の愛の熱量にぜひ酔いしれてください。

興行成績

製作費: $55,000,000 (83億円)

興行収入: $381,545,846 (572億円)

推定収支: $326,545,846 (490億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ダコタ・ジョンソン
ダコタ・ジョンソン
Anastasia Steele
ジェイミー・ドーナン
ジェイミー・ドーナン
Christian Grey
Eric Johnson
Eric Johnson
Jack Hyde
エロイーズ・マンフォード
エロイーズ・マンフォード
Kate Kavanagh
Bella Heathcote
Bella Heathcote
Leila
リタ・オラ
リタ・オラ
Mia Grey
Jennifer Ehle
Jennifer Ehle
Carla
Luke Grimes
Luke Grimes
Elliot Grey
ヴィクター・ラサック
ヴィクター・ラサック
José
Max Martini
Max Martini
Taylor

スタッフ・制作会社

監督: James Foley

脚本: E.L. James / Niall Leonard

音楽: ダニー・エルフマン

制作: Dana Brunetti / マイケル・デ・ルカ / E.L. James

撮影監督: ジョン・シュワルツマン

制作会社: Universal Pictures / Michael De Luca Productions / dentsu / Fuji Television Network / Perfect World Pictures

TMDB ユーザーのレビュー

Reno
Reno
★ 6

**The next fifty shades between an ordinary woman and a billionaire.** The film was not received well as the book was. Just like the first film, it has been another below average. Might be because of its theme. Usually this kind of films do great business, but ratings and reviews does not praise or encourage the film. So I doubt anybody will be bored of it, which means watchable film and instead it won't be their favourite. The story continued and this time it was not based on experiment or any kind of agreement, but mutual understanding. So the billionaire Grey and Ana's erotic adventure sustains. With the small-small developments the film goes all the way to the ending. That means, those who are watching it for the selected scenes, will surely would have a nice time. But nothing was strong as any European film on the similar theme. Apart from the weak storyline, there's nothing wrong with it. As to what this film is about, it served better. That's what I say to you not to expect full storied romance-drama. As usual the actors were good and another two films to come in the 'Fifty Shades' franchise. I hope they can be better than the first two. Overall, it is only for the selected audience, but curiosity makes everybody watch it and they all pour they perspective which is flooded with average to negative. Otherwise, it is an acceptable film. _6/10_

GenerationofSwine
GenerationofSwine
★ 1

Ok, my fiance loves these films (but she's worse than me when it comes to sex in movies, and I'll sit through some serious crap for it) so we went to go see it on Valentines Day. And I am going to point out the problem, and I will do it by quoting the synopsis: "Anastasia must confront the anger and envy of the women who came before her." Yeah, that takes all of about 5 minutes of time in the film. It's the plot of the movie...and it takes about 5 minutes total. The problem is solved really quickly, in the middle of the film, and never comes up again. It's like an after thought....but it's the plot. I've seen movies based on T and A in the past that have actually more plot focus than this. But let's be honest, you are only watching it for the BDSM (which it is also light on) so I can't even give it 10 stars for that, and I am an easy grader when it comes to most movie reviews.

r96sk
r96sk
★ 6

<em>'Fifty Shades Darker'</em> is a surprise small improvement on its predecessor, though admittedly not anything worthy of describing as good. It felt like this one had a touch more meat on the bones, it's slightly more digestible anyway; if ignoring events last time out. The film does take the cheap way out mind you, focusing on two 'worse' characters which allows you to look past the iffy questions regarding the leading pair's relationship. I didn't cringe as much for this 2017 flick, which is a decent sign that I had a marginal better time. Dakota Johnson and Jamie Dornan remain a fine pair as actors, I don't have anything against those two to be honest. The side of the story involving Bella Heathcote's character did honestly interest me a little bit early on, of course it doesn't end up delivering but still. Now to see if <em>'Fifty Shades Freed'</em> continued the upward trajectory <i>(x = doubt)</i>.

CinemaSerf
CinemaSerf
★ 5

Poor old “Christian” (Jamie Dornan) is pining for “Ana” (Dakota Johnson) and so manages to wheedle his way back into her life - by buying her publisher employers, and by promising to change from his more sadistic self into something altogether more agreeable to her. Snag? Well she isn’t really interested in a newly reformed boyfriend, but instead craves the leather trappings of their sexual adventures. What she isn’t so keen on, either, is her introduction to some of his previous playmates - some of whom are less than impressed with his current infatuation, especially when he mentions the “m” word to her. Aside from a few really tame scenes of soft-porn, during which Dornan manages to avoid any active participation, there is nothing remotely memorable about this thinnest of stories as it serves as little more than links between spankings. Perhaps I’m just too desensitised to dimly lit kinkiness nowadays, but with banal dialogue throughout I almost wished I was on that helicopter, too.

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