FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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ランデヴー
ランデヴー

ランデヴー

19851h 22m★ 5.6ドラマロマンス
MUBI

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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スタッフ・制作会社

監督: André Téchiné

脚本: André Téchiné / Olivier Assayas

音楽: Philippe Sarde

制作: Alain Terzian

撮影監督: Renato Berta

制作会社: Films A2 / T. Films

口コミ

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サブスクリプション

MUBI

キャスト

ランベール・ウィルソン
ランベール・ウィルソン
Quentin
ジュリエット・ビノシュ
ジュリエット・ビノシュ
Nina
Wadeck Stanczak
Wadeck Stanczak
Paulot
Jean-Louis Trintignant
Jean-Louis Trintignant
Scrutzler
Dominique Lavanant
Dominique Lavanant
Gertrude
No Image
Jean-Louis Vitrac
Fred
Jacques Nolot
Jacques Nolot
Max
Anne Wiazemsky
Anne Wiazemsky
Administrator
Olimpia Carlisi
Olimpia Carlisi
Olimpia
No Image
Caroline Faro

TMDB ユーザーのレビュー

MoHA
MoHA
★ 9

This film includes some graphic scenes that in any other picture would likely feel extremely gratuitous. And yet, Rendez-vous is so well executed that that isn't the case here. Mind you, the scenes are still very graphic, but they don't feel gratuitous; rather, they feel like a natural and necessary element of the story. Focusing on a young woman who has moved to Paris to become an actor, the story follows her as she suffers through a range of extremely trying and tumultuous experiences. She is young and vibrant, and sexually free, and yet - perhaps as a direct result of this unguarded personality - she is exploited, taken advantage of, and preyed upon at every moment by the various men who move in and out of her life. The emotional toll this takes on her is plainly evident, and the way that her care-free spirit is slowly stripped away is tragic to witness as the story progresses. The emotional transformation of Nina is brought to life by Juliette Binoche, in a truly fearless and superb performance. She deserves much credit for this film; she is physically and emotionally exposed throughout, and the authenticity of her performance is never in question. The supporting roles in this film are stellar as well, but not one performance can match that of Binoche. This is her film, through and through. I found this movie to be quite unique. Paris has never looked more foreboding and working-class as it does here (perhaps save for 400 Blows), the graphic depictions of sex never come across as unnecessary or gratuitous, and the story at the heart of the film feels genuine and tragic. Though I don't know that I would recommend it to anyone but unapologetic cinemaphiles, that in no way diminishes its quality.

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