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リトル・フォレスト 冬・春
リトル・フォレスト 冬・春

リトル・フォレスト 冬・春

“生きるために食べる。食べるためにつくる。”

20152h 0m★ 7.8ドラマ

あらすじ

“小森”は東北のとある村の中の小さな集落。いち子(橋本愛)は、一度街に出て男の人と暮らしてみたものの、自分の居所を見つけられずに、1人でここに戻ってきた。“言葉はあてにならないけど、わたしの体が感じたことなら信じられる”と、何事も自分でやってみないと気が済まない性格のいち子は、稲を育て、畑仕事をし、周りの野山で採った季節の食材を料理して食事を取る毎日を過ごしている。そんな静かなある日、彼女の元に1通の手紙が届く。それは、5年前の雪の日に突然失踪した母・福子(桐島かれん)からだった。甘酒とカボチャを使って作った3色ケーキ、子供の頃から大好きな出来立てアツアツの納豆もち、ふきのとうでつくるばっけ味噌……。母のレシピを料理しながら思う。“私は母さんにとって本当に家族だったろうか……。”今までの自分、そしてこれからの自分を思い、心が揺れ始める。親友キッコ(松岡茉優)との小さな口げんかでは、“私は、ちゃんと向き合えなくて、それで小森に帰ってきたんだな……”と落ち込む。さらに、小森のこれからを真剣に考えるユウ太(三浦貴大)からは、“いち子ちゃんは1人で一生懸命やっててすごいなと思うけど、本当は逃げてるんじゃないの”と指摘され、言葉を返せない。長かった冬も終わりに近づき、雪解けが進んできた。少しづつ畑の準備を進めてきたものの、いち子は春一番で植えるジャガイモを、今年は植えるかどうか迷っていた。来年の冬、ここにはいないかもしれないから……。自分の本当の居場所を探すいち子が、春の訪れと共に出した答えとは……。

作品考察・見どころ

本作は、食べるという行為が生命の根源的な祈りであることを、圧倒的な映像美で描き出しています。橋本愛の静謐ながらも力強い佇まいは、厳しい冬を越え芽吹く大地そのもの。土に触れる彼女の指先からは、便利さに流される現代人が置き去りにしてきた「自らの手で生きる」という誇り高い覚悟が鮮烈に伝わってきます。 映像ならではの色彩と環境音が、観る者の五感を鋭敏に研ぎ澄ませます。孤独や迷いと向き合い、自らを慈しむために捧げられる食の儀式。季節の移ろいという揺るぎない理の中に身を投じることで見えてくる人生の深淵は、観る者の心に静かな、しかし確かな変革を促すに違いありません。

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『かもめ食堂』ほか、心に凪をもたらす「うたた寝の処方箋」5選

FindKey Editorial2026/2/25

『リトル・フォレスト』で心を満たす。夜中の空腹を忘れる「視覚の美食」傑作映画5選

FindKey Editorial2026/2/4

新幹線の車窓に溶け込む至福の3選|『歩いても 歩いても』ほか帰省を豊かにする傑作映画

FindKey Editorial2026/2/3

キャスト

橋本愛
橋本愛
Ichiko
三浦貴大
三浦貴大
Yuta
松岡茉優
松岡茉優
Kikko
温水洋一
温水洋一
Shigeyuki
桐島かれん
桐島かれん
Fukuko
篠川桃音
篠川桃音
Young Ichiko

スタッフ・制作会社

監督: 森淳一

脚本: 五十嵐大介 / 森淳一

音楽: 宮内優里

制作: 守屋圭一郎 / 石田聡子 / 加太孝明

撮影監督: 小野寺幸浩

制作会社: Shochiku / Robot Communications / dentsu / GYAO / Kodansha / Yomiuri Shimbun Company / Active Cine Club

TMDB ユーザーのレビュー

Reno
Reno
★ 9

**The art of cooking while living among different seasons.** The second part of the manga based film, 'Little Forest'. One of the best duologies and one of the best food films I've ever seen. Literally, it was a four part film series with the seasonal topics like summer, autumn, winter and spring, but you would see it is like two episodes from each film which opens with the same intro. Which briefs about the place where it set in, and then go straight to its business. Basically, you can call this a mini-series, that's how in the west they call such film concepts. There's already a Korean version is in the making, due in the mid 2018. It was simply outstanding as the previous one. And one should watch them both continuously as the opening statement says for your better understanding. Winter, what do you think the farmers would do in this season. I really don't know. I haven't come from such place. All I think is skiing, building a snowman or slippery roads. That's why this film impressed me. Something letting us know what we never knew. Ichiko had her own plan. I guess most of her counterparts in the Japan would do the similar task to counter the harsh weather. That the art of preserving the fruits and vegetables, as well as making the seasonal dishes using them. Not everything is just the indoor activities, but utilising the outdoor gifts like the snows to preserve the precious ingredients and growing vegetations are admirable. Cultural significance, like gathering and sharing their produce/harvest, totally give another glimpse of how the Japanese do. On that aspect, this film quite stays away from Ichiko in a few sections. The other characters take over for a brief. That remains a bit mystery. The film never went deep digging her personal life, particularly what happened between her and her mother. So it never cared to say further as the narration proceeded towards the end. > ❝I'm pretty lenient when it comes to cabbage white butterflies. But I show no mercy to caterpillars.❞ Spring, you can call the season for rebirth of all plantation. The white visuals would be replaced by the green everywhere. Not just the plants, but also the zoological lives like butterflied et al thriving. There's one problem with that despite they are considered beautiful, those are pest according to the farmers. Ichiko reveals her own experience with her mother when she was a kid. But when it comes to her in the same position as her mother, what is her counter measure can be observed. As for the food theme, it was a complete satisfactory film. But the story, the personal life of Ichiko was not explained well. I believe the original source could be well detailed, particularly about her mother. I always wondered about her mother, being an average mother, but an excellent cook who really inspired Inchiko to follow the same path. Remembering from her childhood and trying to recreate the same dish with the taste, in some cases, experimenting with the new ingredients, once again you will be mouthwatering. I loved both the film, and I wished for another installment. Gosh, why do it has to be only two films. It was a great direction. It was beautifully written for the screen and the locations, mind blowing. All the four seasons very pleasing to see on the screen. From the hot summer to autumn, cold winter and the spring. One year cycle of the seasons, as well as how the humans adapted to cope with the changes in the nature was well picturised. Beside the sub-topics, other than the film's notion were nicely placed in the parts of the narrative. I've said almost everything about the film(s) in the previous review. Because I did not expect anything different in this part. Just the same flow, but different season and dishes. Also the farming, according the seasons was the highlight of the film. The performance was great, though, as I said it all looked like a documentary film of the real lifestyle in the countryside. I haven't seen many documentaries about the Japan, so that's one the reasons why I overjoyed it. I know a couple of people who love cooking and they are indeed good at it, despite that's not their profession. I'm thinking to gift them this Blu-ray. You might have seen many food flicks, but this is different and a must see. So don't miss it! _9/10_

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