凸凹火星探検
あらすじ
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作品考察・見どころ
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製作費: $762,446 (1億円)
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推定収支: $487,554 (1億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $762,446 (1億円)
興行収入: $1,250,000 (2億円)
推定収支: $487,554 (1億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Charles Lamont
脚本: D.D. Beauchamp / John Grant / Howard Christie
音楽: Herman Stein / Milton Rosen
制作: Howard Christie
撮影監督: Clifford Stine
Better than its reputation suggests. Abbott and Costello Go To Mars sees the popular duo tackle a sci-fi theme that was to be so prevalent in the 50s. It's directed by Charles Lamont and the co-star line up features Robert Paige, Horace McMahon, Mari Blanchard, Martha Hyer & Jack Kruschen. The plot sees Bud & Lou as Lester and Orville respectively, who accidentally find themselves on a rocket-ship bound for Mars. However, they actually land in New Orleans during the Mardi Gras and confusion reigns. Then an encounter with a couple of escaped convicts leads to another blast off, to Venus. A planet populated by a bevy of beauties. They were three years away from making what would be their last film together, but history dictates that the best of the film outings for Bud & Lou were long since past. However, "Go To Mars" and "Meet Dr. Jekyll and Mr. Hyde" (also 1953) are worthy pieces showcasing the comic talent and irrepressible charm of two fine entertainers. Sure the plot is as thin as some of the sets are for "Go To Mars," but there's enough chaos and comedy schtick to keep the smile on ones face. We get Costello doing an Italian accent -badly, which in turn leads to a slapathon. Then there's stunts with magnetic moon-boots, a triple bed fall down, gravitational larks and Mardi Gras strangeness. There's even a cheeky aside in favour of the ladies (the Venusian female race being contestants of Miss Universe) as the new male arrivals on Venus are compared to beefcake Adonis types on Venusian TV. Far from their best work but certainly enough good here to shoot down those "worst of the series" tags. 6/10
