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バッド・バディ!私とカレの暗殺デート
バッド・バディ!私とカレの暗殺デート

バッド・バディ!私とカレの暗殺デート

20161h 35m★ 6.5コメディロマンス犯罪

あらすじ

男運のない変わった女の子が、理想的な男性と出会い、2人は惹かれ合う。しかし彼の正体は暗殺者で、彼女の殺しの才能を見いだしていく。やがて2人は、凄腕の暗殺者カップルとなるのだった。

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興行成績

製作費: $8,000,000 (12億円)

興行収入: $34,694 (0億円)

推定収支: $-7,965,306 (-12億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

サム・ロックウェル
サム・ロックウェル
Mr. Right
アナ・ケンドリック
アナ・ケンドリック
Martha McKay
ティム・ロス
ティム・ロス
Hopper / Reynolds
James Ransone
James Ransone
Von Cartigan
アンソン・マウント
アンソン・マウント
Richard Cartigan
Michael Eklund
Michael Eklund
Johnny Moon
RZA
RZA
Shotgun Steve
Douglas M. Griffin
Douglas M. Griffin
Gus Patrick
Katie Nehra
Katie Nehra
Sophie
Jaiden Kaine
Jaiden Kaine
Bruce

スタッフ・制作会社

監督: Paco Cabezas

脚本: Max Landis

音楽: Aaron Zigman

制作: Mark Roberts / Bradley Gallo / Michael A. Helfant

撮影監督: Daniel Aranyó

制作会社: Circle of Confusion / 3311 Productions / Amasia Entertainment

TMDB ユーザーのレビュー

Reno
Reno
★ 5

> A hitman with the 'killing is wrong' attitude. Something is not right for 'Mr, Right'. It is not an event based action-comedy or something like man meets woman romance-comedy, but very random presentation. Where it begins and where it ends, you can't clearly say it is a well written script. The actings were decent, but the scenes aren't overwhelmingly impressive as it should be. Directed by 'Neon Flesh' famed filmmaker, after that film his other projects weren't up to the standards including this one. It is written by the one who was behind the 'American Ultra'. There's a strikingly similar between these two and you won't deny if you had seen them. Especially Anna Kendrick's character to what the Jesse Eisenberg was in that film. If we go deep, Sam Rockwell as well might fall into the same category to what Kristen Stewart was. At some point, one of the film characters mentions the same secret project. So I think it is the same universe and a spin-off. Sam-Kendrick combo was the highlight of the film. I hope they would do some serious subject together in the near future. The action sequences were good, other than that it's not funny at all or romantic. That means I did not enjoy it because the theme did not work for me which I felt very common these days. So it failed because of the lack of innovation and proper development, but the overall film was not bad if entertainment is the main agenda. I know there are audience for it and they will back it. I won't stand between you and your watch if you want to try it, I just say be careful, that's all. 5/10

Louisa Moore - Screen Zealots
Louisa Moore - Screen Zealots

LOUISA SAYS: A SCREEN ZEALOTS REVIEW www.screenzealots.com “Mr. Right” isn’t much more than a half-baked hitman romantic comedy. We’ve seen the concept before (think “True Romance” meets “Grosse Point Blank“), but the idea has never been as messy, sloppy and as ill conceived as it is here. Unlucky in love Martha (Anna Kendrick) has her world turned upside down when she meets and falls for gun for hire Francis (Sam Rockwell). Their love story blossoms over killings, knives and gun battles. The script, written by Max Landis of “American Ultra” fame, is just too flimsy to work. I expected more from the writer. Tim Roth and RZA turn in enjoyable supporting performances, but the two leads lend the most starpower. The film features the onscreen pairing of my dreams with Kendrick and Rockwell. The two have an undeniable chemistry, but both actors are completely wasted with this mess. I really, really hope to see them work together in the future in a good movie — they both deserve a far better vehicle than this. “Mr. Right” is a fun idea that’s poorly executed. MATT SAYS: In “Mr. Right,” Martha (Anna Kendrick) has recently broken up with her boyfriend after she discovers him cheating on her. A chance encounter in a convenience store leads her to start dating an unnamed hitman (Sam Rockwell). If those two names — Sam Rockwell and Anna Kendrick — are all you need to hear to decide you want to see this movie, read no further. If you want to see the two of them play off of one another, this will be a meal that is mostly satisfying for you, but leaves you just a little bit hungry for something with more substance. There are probably vehicles that would have worked better for the two of them, but basically, it’s enjoyable enough as a choice for a movie night at home. The highlights: Sam Rockwell’s dancing and dry delivery and the way that Anna Kendrick’s millennial-angsty, world-weary-but-optimistic character plays off of him. Tim Roth’s nameless soldier-of-fortune with inscrutable motivations. The rent-a-thug Steve (The RZA), who is nothing if not pragmatic. The lowlights: a terrible script that tries too hard to shoehorn a hardcore action plot into a film that works well enough without it. It’s readily apparent why this movie didn’t get a wider theatrical release. I enjoyed seeing it, but ask me a month from now and I’ll barely remember it. **A SCREEN ZEALOTS REVIEW www.screenzealots.com**

Kamurai
Kamurai
★ 8

Great watch, will watch again, and do recommend. This has a very special recipe of madness to it, I honestly don't know how to tell you how this movie FEELS. Sam Rockwell has a very particular style of acting to begin with, and telling him to turn it up to eleven turns out amazingly. Anna Kendrick, better know for "I'm a teen girl" acting than intense action roles keeps every pace with Rockwell in both action and madness. While we get whiplash from how likeable Kendrick's character is before Rockwell comes in, the fun of the movie quickly takes off in both action and writing. As "Mr. Right" carries chaos in his wake, it starts to develop multi-threading between the two characters, and while Rockwell is the main focus for majority of the movie, I think it is equal part leads between the two. There is some funny business in the 3rd act as they do some things that would normally be 1st act establishing events, but one becomes a mini-arc of the 3rd act, and the other just isn't explained at all, unless I misunderstood. The only other movie that is even close to this is "Wanted", and that's pretty superficial, the higher philosophical points aren't presented in the same manner at all, the movies "feel" completely differently, but they both focus on the morality of killing and high reflexes. Definitely give this one a go if you like action movies, it's a lot of fun.

Peter McGinn
Peter McGinn
★ 9

Okay, so Mr. Right is a different sort of romantic comedy! It starts with an original idea: a hit man undergoes a personality change due to an injury, so that instead of carrying out hit jobs like previously, he decides that “murder is wrong “ and so, not seeing the obvious irony, he kills those who order the hits. We also meet Martha, a single gal coming off a bad break-up (isn’t everyone at the start of these movies?) and the two of them gradually make a connection. Against all odds, it seems, given his mental state, he treats her quite well. Their banter is witty and intelligent, with some humor coming from him telling her exactly what he does — kill people — and she naturally thinks he is kidding. She has her own surprises for us later, but I will give nothing away here. As I have noticed with a few other movies lately — mostly action films, such as Nobody — there is a ridiculous amount of violence here, almost cartoonish at times. I invented a new genre for them :Bodybag movies. I guess if some viewers require such excesses, who am I to complain? I enjoyed this movie anyway. I like that he is always polite and considerate to his new girlfriend even under extreme and dangerous situations. And you know how it is neat when characters display personal growth? The surprises that emerge concerning Martha that I alluded to above are part of a rather astonishing bit of character growth for her. Or is ‘growth’ the wrong word?. But no, my lips are sealed. Watch this entertaining comedy and see for yourself.

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