FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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ロスト・バケーション
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ロスト・バケーション

“岸はすぐそこ。しかし―たどり着くことはできない。”

20161h 26m★ 6.4ホラードラマスリラー

あらすじ

休暇で秘境のビーチに来た医者のナンシー(ブレイク・ライヴリー)は、サーフィンを楽しんでいた最中に脚を負傷する。何とか近くの岩場にたどり着いたものの、ナンシーの存在に気が付いたサメが周囲を旋回していた。海岸までおよそ200メートルだが、その岩場が満潮で海面下に沈むまであと100分。危機的な状況に追い込まれたナンシーは……。

作品考察・見どころ

本作の魅力は、極限下の生存本能を徹底したミニマリズムで描いた点にあります。楽園のような青い海が、潮の満ち引きという残酷な時間制限で逃げ場のない処刑場へと変貌する演出は圧巻です。医学知識を武器に絶望を凌駕していく主人公の姿は、単なるパニック映画を超え、知恵と勇気で運命を切り拓く人間の気高さを見事に体現しています。 主演のブレイク・ライヴリーが見せる圧倒的な実在感も白眉です。恐怖に歪む表情や負傷の描写は、観る者の痛覚を刺激するほどのリアリティを放っています。喪失感を乗り越え再び前を向く意志を問う本作は、極限の緊張感の中で魂を激しく揺さぶる至高のサバイバル・スリラーです。

興行成績

製作費: $17,000,000 (26億円)

興行収入: $119,100,758 (179億円)

推定収支: $102,100,758 (153億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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レンタル・購入

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Apple TV Store
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キャスト

ブレイク・ライヴリー
ブレイク・ライヴリー
Nancy Adams
オスカル・ハエナダ
オスカル・ハエナダ
Carlos
Brett Cullen
Brett Cullen
Father
Janelle Bailey
Janelle Bailey
Mother
Sedona Legge
Sedona Legge
Chloe Adams
Pablo Calva
Pablo Calva
Carlo's Son
No Image
Diego Espejel
Intoxicated Man
No Image
Ava Dean
Young Nancy
Chelsea Moody
Chelsea Moody
Young Mom
No Image
Angelo Josue Lozano Corzo
Surfer 1

スタッフ・制作会社

監督: ジャウム・コレット=セラ

脚本: Anthony Jaswinski

音楽: Marco Beltrami

制作: Lynn Harris / Matti Leshem / Douglas C. Merrifield

撮影監督: Flavio Martínez Labiano

制作会社: Columbia Pictures / Ombra Films / Weimaraner Republic Pictures

TMDB ユーザーのレビュー

The Movie Waffler
The Movie Waffler

All you should need to make a good movie is a girl and a shark, but Serra fails to deliver the basics, instead fashioning a movie that too often resembles a female oriented riff on an '80s Old Spice commercial. The Shallows is a damp squib. Read the full review at http://www.themoviewaffler.com/2016/07/new-release-review-shallows.html

Simon Foster
Simon Foster

"Jaume Collet-Serra’s woman-vs-wild thriller is beautiful, bigscreen Hollywood nonsense that manoeuvres/manipulates the viewer into the kind of submissive state only the finest summer crowd-pleasers can achieve..." Read the full review here: http://screen-space.squarespace.com/reviews/2016/8/19/the-shallows.html

Reno
Reno
★ 7

**Very close to the shore, yet too far and dangerous to attempt.** I'm sure you have seen shark attack films like 'Jaws', 'Deep Blue Sea' et cetera, and yep this another one to add to that collection. But this was something very neatly done, I mean for the most of the parts. Looked so real, so I thought it might end up top among its similar theme. In the end, I was little disappointed, because of the shark. The portrayal of shark was very natural, until the last half an hour. Then it becomes the common film gimmick when the animal was obsessed to kill its target at any cost. I am a huge animal fan, but I have never seen a live shark in my life and that does not mean I don't know anything about them. Thanks to the nature television networks and what I saw in this film was very disappointing if you love wild animals. I am not supporting the shark here, I'm just talking about its behaviour. It was not right, other than that, I definitely enjoyed the film. In fact, except the final few minutes, since the shark got pumped up, I had no issue and the best shark attack film. But the final battle ruined overall favour I'm going to give to it, what I thought this film deserved. Great location, and Blake Lively was unbelievably awesome. In the initial part, she was very sexy, but once the narration shifted its focus on surfing and later shark attack, everything changed. The entire film was edgy, I think very nicely written screenplay. It was a limited cast film and nearly the whole film takes place very close to the shore. A good start, neatly maintained mid part, but a below par conclusion, that's what I think about the film. Slightly missed to be a great film in the line of '127 Hours'. In fact, this looks like a sea version of that film. But I still recommend it, because it's worth. _6.5/10_

in_the_crease
in_the_crease
★ 6

As a shark fanatic (thanks, Jaws), I was excited to see The Shallows. When I first saw the trailer, I thought the concept--more 127 Hours than Jaws--was interesting: A single person, alone on a rock, trapped a mere 100 or so yards offshore, in shark-infested waters. Most shark movies follow the Jaws formula to a T: Shark attacks a bather, someone in position of authority decides something must be done and the beaches should be closed, someone of higher authority thwarts that attempt, more people die, our hero finally has to confront the monster. But The Shallows produced a new and fresh take on the same old fish tale. The first half of the movie is similar to Open Water, relying on tension and little fanfare. Then, the shark explodes onto the screen for a few moments, and the movie suddenly becomes a high octane thriller. Basically, though the shark is the main antagonist of this story, all the scenes with the shark in them are much less interesting. I was more engaged with Blake Lively and that damn seagull. She was likable, and I bought into the survival story and was really rooting for her. There were moments, when The Shallows relied on suspense, that the film become Hitchcockian in tone. We know the shark is out there, but we can't see him. The second we do, the suspense dies instantly. Parts of the movie were small and intimate, much like an independent film. And those were the strengths. But it almost feels as if the director wanted to do a mash up of a simple suspenseful stalking movie, combined with elements of a survival movie. And again, all that worked for me. But the sensationalism of the shark stuff was over the top in my opinion. It gave the movie an uneven feel. It was, at times, both a suspenseful stalker type movie with survivalism thrown in, and, then, seemingly out of nowhere, it became an over-the-top summer blockbuster type movie. It gives it the look of a movie where director and producer didn't see eye to eye. It really seems like the shark action sequences were forced into the movie. They just didn't fit the overall tone. That's this movie's biggest downfall. Yes, the shark has to be there, yes he has to be dangerous. But the way it is presented through the film needs to fit the overall tone of the movie. At one point, the shark eats three people in the course of-- what?--an hour or so? So what was set up, was a small movie. An intimate movie. Something closer to The Blair Witch Project or Open Water, but what we got in the end, was something closer to Friday the 13th. This movie could have been so much more, by being so much less. Excess is not always best. In all fairness, The Shallows could have been much worse too. The things that did work, worked well--well enough that with some inventive direction, could have carried the film by themselves. But alas, the over the top violence and sensationalism trumped suspense and creative storytelling, which downgrades The Shallows from something special and unique, to just a "good" movie. The locations were beautiful, and seeing them in 4K HD on a huge screen was quite impressive.

AndryX7
AndryX7
★ 8

**An exceptional movie involving a hungry shark** Plot is simple yet so catchy and interesting. After a few minutes you will start to care about the main protagonist, so much that you will cross your fingers hoping for the best. Everything (or almost everything) is going to feel realistic, and there is not anything wrong with the main antagonist ... it is totally well made. Great performance by Blake Lively (Nancy Adams) too. I will also mention the impressive landscapes because they literally left me speechless. I would have appreciated a more detailed background story but I will not complain as this movie was a really great experience. Watch it, especially if you are into suspense and sharks! _(8 stars out of 10)_

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