FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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19811h 22m★ 7.0ドラマテレビ映画

あらすじ

No synopsis available.

作品考察・見どころ

本作が放つ圧倒的な魅力は、時代の転換点に立つ名門一族の黄昏を、息が詰まるような緊張感で描き切った心理描写にあります。レオ・マッカーンやウェンディ・ヒラーら名優たちが魅せる、静謐ながらも火花を散らすような演技の応酬は圧巻です。崩れゆく伝統と新たな時代の足音の対比から、私たちは個人の尊厳と歴史の奔流が交錯する瞬間の重みを、まざまざと突きつけられます。 原作の持つ重厚な戯曲的構成は、映像化によって「空間の雄弁さ」という翼を得ました。広大な邸宅の陰影や沈黙が、文字情報だけでは伝えきれない一族の孤独や時代の停滞感を視覚的に増幅させています。言葉を削ぎ落とし、俳優の眼差しや邸宅の佇まいで語らせる演出は、まさに映像メディアでしか成し得ない芸術的昇華と言えるでしょう。

原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

口コミ

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キャスト

Leo McKern
Leo McKern
Sir Frederick Carlion
James Fox
James Fox
Philip Carlion
Wendy Hiller
Wendy Hiller
Daisy - Lady Carlion
Penelope Wilton
Penelope Wilton
Virginia Carlion
Jill Bennett
Jill Bennett
Alice Carlion
No Image
Deborah Norton
Faith
Joan Greenwood
Joan Greenwood
Dollie van der Biek
Alan Webb
Alan Webb
Sir Piers Blair
Tim Seely
Tim Seely
Andrew Oliphant - Father
No Image
Frederick Alexander
Andrew Oliphant - Son

スタッフ・制作会社

監督: Richard Eyre

脚本: Trevor Griffiths

音楽: Nick Bicât

制作: Ann Scott

撮影監督: Nat Crosby

制作会社: BBC

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

With WWII won, the "Carlion" family gather at their stately home in the run up to the British General Election. These are wealthy and privileged people who run a brewing business and it's their head "Sir Frederick" (Leo McKern) who is now looking to pass on the mantle. As with many family gatherings, the atmosphere quickly becomes quite toxic only here it's not just the mix of personalities that sparks, but attitudes. Politics in the kingdom is changing, attitudes are changing and the days of gentry and serf might well be on the way out as it becomes clear that Clement Attlee's socialist government is going to be running the country with quite a substantial mandate. McKern holds this together well providing a mix of stoicism and belligerence as his character has to deal with societal changes as well as those affecting his own role in his business and his family. Dame Wendy Hiller and Penelope Wilton also contribute well helping to illustrate the changing nature of the role of women in this brave new world, too. There are also references to the hitherto under-the-heal labouring classes who finally take their pitchforks in hand and gently (they are British, after all) make their presence felt. It's a little bit verbose at times, and Richard Eyre doesn't always manage to sustain the pace leading to maybe a few too many troughs amidst the undoubted peaks provided by a cast who present us with a familial equivalent of Janus - looking both behind them and to the front, left and then right, all at the same time unsure how to jump. Perhaps prophetic of a period of national "realignment" under Margaret Thatcher's newly elected government that was about to start as this was made?

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