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ரஜினிமுருகன்
ரஜினிமுருகன்

ரஜினிமுருகன்

20152h 39m★ 5.4コメディアクション

あらすじ

No synopsis available.

作品考察・見どころ

本作の真髄は、シヴァカールティケーヤンとスーリが織りなす、阿吽の呼吸から生まれる圧倒的なコメディの躍動感にあります。単なる娯楽作の枠を超え、マドゥライの土着的な活気と現代的なユーモアを完璧に融合させた演出は、観客を瞬時に熱狂の渦へと巻き込みます。ヒロインを演じるキールティ・スレーシュの凛とした美しさも、泥臭い日常に鮮やかな彩りを添えています。 物語の根底に流れるのは、世代を超えた家族の絆と、自らのルーツを肯定する揺るぎない精神です。祖父と孫の情愛を軸に、共同体の温かさを再確認させるメッセージは、現代人の魂を激しく揺さぶります。色彩豊かな映像美と五感を刺激する音楽が一体となり、スクリーンから溢れ出す圧倒的な生命力を祝福するような、至高のエンターテインメント作品です。

口コミ

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予告・トレイラー

キャスト

Sivakarthikeyan
Sivakarthikeyan
Rajini Murugan
キールティ・スレーシュ
キールティ・スレーシュ
Karthiga Devi (K.D)
Soori
Soori
PK Soori
Samuthirakani
Samuthirakani
"Ezhrai" Mookan
Rajkiran
Rajkiran
Rajini Murugan's grandfather
G. Gnanasambandam
G. Gnanasambandam
Rajini Murugan's father
Robo Shankar
Robo Shankar
Politician
Dheepa Ramanujam
Dheepa Ramanujam
Murugan's mother
Vela Ramamoorthy
Vela Ramamoorthy
Chellakarupan
Namo Narayanan
Namo Narayanan
Thangavel

スタッフ・制作会社

監督: Ponram

脚本: Ponram

音楽: D. Imman

制作: N. Linguswamy / N. Subash Chandra Bose

撮影監督: Balasubramaniem

制作会社: Eros International / Thirrupathi Brothers Film Media

TMDB ユーザーのレビュー

timesofindia
timesofindia
★ 6

Rajini Murugan reinforces what we had learned from Varuthapadatha Vaalibar Sangam — director Ponram has a flair for entertaining us even with a story that sounds dated and cliched. The film actually feels like more of what we had seen in the earlier one (the director even finds a way to link the two films in the climax), but posses a sense of joie de vivre that lifts it up and keeps us amused. As for the plot, it revolves around Rajini Murugan (Sivakarthikeyan), a happy-go-lucky (Tamil cinema slang for wastrel) youngster, whose only care in the world is to marry Karthika (Keerthy Suresh), his childhood sweetheart. Unfortunately, their once friendly fathers are now not on talking terms. So, with his friend Thothadri (Soori) in tow, he starts wooing her. Meanwhile, Yezharai Mookkan (Samuthirakani), a thug (of sorts), tries to get a share of Murugan's ancestral property by defaming his grandfather Ayyankaalai (Rajkiran). Of course, everything ends well. And no, this isn't a spoiler. Something for everyone seems to be Ponram's philosophy here and so, he gives us romance, songs, villainy, family melodrama — all laced with a touch of comedy and presented to us in eye-poppingly bright visuals (the cinematographer is Balasubramaniem). Rajkiran has fun playing the patriarch and also gets a scene in the end to get us all emotional. Yezharai Mookkan does not come across as the kind of villain who needs to be feared and Samuthirakani plays this role with the right amount to seriousness so that we don't discount his threats entirely either. As for Sivakarthikeyan and Soori, they seem to have picked up from where they left off in Varuthapadatha Vaalibar Sangam. True their shtick is a bit predictable but they manage to deliver the laughs. And, of course, the film is overlong with innumerable songs and comic scenes that could have been left at the editing table. It is also utterly unambitious, content with clearing its low bar, but this unpretentiousness is also what makes it work to an extent.

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