男装
あらすじ
No synopsis available.
予告・トレイラー
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $641,000 (1億円)
興行収入: $497,000 (1億円)
推定収支: $-144,000 (-0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $641,000 (1億円)
興行収入: $497,000 (1億円)
推定収支: $-144,000 (-0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: George Cukor
脚本: Gladys Unger / John Collier / Mortimer Offner
音楽: Roy Webb
制作: Pandro S. Berman
撮影監督: Joseph H. August
制作会社: RKO Radio Pictures
Of all of the collaborative efforts that Katharine Hepburn ever made, this one has to be the most bizarre. Not because it is bad - though it isn't actually very good - but because she spends much of it a boy! Upon the death of her mother, her father (Edward Gwenn) must flee his creditors and so she ("Sylvia/Sylvester") determines to accompany him, cutting her Rapunzel-like locks and donning a suit as she goes. They encounter dapper rogue "Monkley" (Cary Grant) on the boat to England where they conduct a series of petty cons. Determined to get straight, she sets them all up as a seaside entertainment troupe and all goes well until she meets the dashing Brian Aherne ("Michael Fane") and starts to want to be a girl again. Can she tell him? How? Things are not helped by his keenness on "Lily Levetsky"... The dialogue is pretty weak, and rather relentless - and once the joke/gimmick wears off we are exposed to a rather lacklustre, almost pantomime, style of of story. Grant and Hepburn look like they are enjoying themselves and that certainly helps, but the humour is just a touch too contrived to last the seemingly long 90 minutes. Glad I've seen it, but I'm not sure I could recommend it.
