FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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逃亡地帯
逃亡地帯

逃亡地帯

19662h 15m★ 7.1犯罪ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

興行成績

興行収入: $2,300,000 (3億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

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予告・トレイラー

配信サービス

レンタル・購入

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Apple TV Store

キャスト

マーロン・ブランド
マーロン・ブランド
Sheriff Calder
ジェーン・フォンダ
ジェーン・フォンダ
Anna Reeves
ロバート・レッドフォード
ロバート・レッドフォード
Charlie 'Bubber' Reeves
E.G. Marshall
E.G. Marshall
Val Rogers
Angie Dickinson
Angie Dickinson
Ruby Calder
Janice Rule
Janice Rule
Emily Stewart
Miriam Hopkins
Miriam Hopkins
Mrs. Reeves
Martha Hyer
Martha Hyer
Mary Fuller
ロバート・デュヴァル
ロバート・デュヴァル
Edwin Stewart
Richard Bradford
Richard Bradford
Damon Fuller

スタッフ・制作会社

監督: Arthur Penn

脚本: Lillian Hellman / Horton Foote

音楽: John Barry

制作: Sam Spiegel

撮影監督: Joseph LaShelle

制作会社: Horizon Pictures

TMDB ユーザーのレビュー

Wuchak
Wuchak
★ 6

**_A Southern town given to drunken revelry & vigilantism with Brando as the voice of reason_** Bubber Reeves (Robert Redford) escapes from prison and this affects the populace of an East Texas town. Marlon plays the sheriff who tries to track down Bubber's whereabouts while Angie Dickinson is on hand as his supportive wife. Jane Fonda plays Bubber's ex-girlfriend and James Fox her secret beau. Janice Rule appears as a drunken woman of dubious morality, Robert Duvall her hubby, and Richard Bradford one of the men with whom she cheats. "The Chase" is mid-60's Southern Gothic in the manner of "The Fugitive Kind" (1960), "In the Heat of the Night" (1967), "Cape Fear" (1962), "This Property Is Condemned" (1966) and "The Long, Hot Summer" (1958). It's arguably on par with most of these, but is significantly superior to the last one. The first act is weak as it establishes the characters, but the story becomes captivating starting with the second act and the surreal drunken party at the mogul's mansion (and the teens in a neighboring abode). Imagine if "Village of the Giants" (1965) was shot as a serious melodrama, minus the giants, and that's the general vibe. The movie addresses elements of hedonism, racism, sexual revolution (with several of the players involved in affairs), political corruption (the sheriff is wrongly thought to be bought by the town mogul), and vigilante non-justice. The most iconic scene is when the sole voice of reason is viciously beaten by the mogul (E.G. Bradford), along with his buds. Marlon later cited this as an example of his renowned Method approach. The wild last act in an auto graveyard is also notable. Despite the picture's many strengths, it's too meandering and unfocused to be wholly effective as Arthur Penn's great "Bonnie and Clyde" (1967). But you can't beat the cast, especially Brando. Look for a young Paul Williams as one of the partying teens. It runs 2 hours, 13 minutes, and was shot in California (Calabasas, Chico, Agoura & Burbank studios). GRADE: B/B- (6.5/10)

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