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Seance on a Wet Afternoon
Seance on a Wet Afternoon

Seance on a Wet Afternoon

19641h 51m★ 7.2犯罪スリラードラマ

あらすじ

No synopsis available.

作品考察・見どころ

本作の真髄は、閉ざされた邸宅内で繰り広げられる狂気と哀哀が入り混じった心理戦にあります。白黒の陰影が際立たせる静謐な映像美は、観る者の神経を逆なでし、心の奥底を侵食するような極上のスリルを体現しています。歪んだ自己顕示欲が破滅へ突き進む様は、人間の底知れぬ孤独を鮮烈に突きつけてきます。 キム・スタンリーの演技は、喪失感が生んだ妄執を鳥肌が立つほど冷徹に描き出し、観客を共犯関係へと誘います。言葉にできない息苦しい執着心が、緻密なカメラワークと役者の肉体を通して剥き出しになる瞬間、本作は単なる犯罪劇の枠を超えた、魂の悲劇としての傑作へと昇華されるのです。

口コミ

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予告・トレイラー

キャスト

Kim Stanley
Kim Stanley
Myra
Richard Attenborough
Richard Attenborough
Bill
Margaret Lacey
Margaret Lacey
Woman at first Seance
Marie Burke
Marie Burke
Woman at first Seance
No Image
Maria Kazan
Woman at first Seance
No Image
Lionel Gamlin
Man at Seances
No Image
Marian Spencer
Mrs. Wintry
Godfrey James
Godfrey James
Mrs. Clayton's Chauffeur
No Image
Judith Donner
Amanda
Ronald Hines
Ronald Hines
Policeman outside Clayton's

スタッフ・制作会社

監督: Bryan Forbes

脚本: Bryan Forbes / Mark McShane

音楽: John Barry

制作: Richard Attenborough / Bryan Forbes

撮影監督: Gerry Turpin

制作会社: Allied Film Makers / Beaver Films

TMDB ユーザーのレビュー

John Chard
John Chard
★ 8

Because your weak, and you need me. Myra Savage is a struggling psychic, who along with her weak-willed husband, Billy, kidnap the young daughter of wealthy parents. The plan is to extort money from the fretting parents and then for Myra to help the parents find the child with her psychic ability, thus improving her standing in the psychic field. But as the story unfolds, Myra grows ever more close to the edge of insanity, could the still born death of the Savage's own child be the critical issue? Seance On A Wet Afternoon is something of a hidden/forgotten British treasure, not only because of the eerie atmospherics, but also because it contains a quite incredible acting performance from Kim Stanley as the troubled Myra Savage. Stanley was nominated for an Academy Award but lost out to Julie Andrews for Mary Poppins, I wonder just how many people even remember Stanley's film? Though chiefly marketed as a crime picture, this piece actually feels more like an offshoot of the horror genre, for it's a genuinely creepy picture that has unease lurking in every marvellous black and white corner. Boosted by an excellently understated turn from Richard Attenborough (also producer here) as Billy Savage, directed with exceptional skill from Bryan Forbes (Whistle Down the Wind), and with a plinking creepy score from maestro John Barry, this adaptation of Mark McShane's novel comes highly recommended for those that like a great psychological character study. Oh and of course for those that know brilliant acting when they see it! 8/10

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