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Frankenstein Unbound
Frankenstein Unbound

Frankenstein Unbound

19901h 25m★ 5.7ホラーサイエンスフィクション

あらすじ

No synopsis available.

作品考察・見どころ

ロジャー・コーマンがSF的視座からフランケンシュタイン伝説を再構築した本作は、文明の進歩が孕む傲慢さを残酷に描いた知的な傑作です。未来の科学と十九世紀の狂気が衝突する演出は、単なるホラーの枠を超え、創造主としての責任と倫理という深遠なメッセージを観客に突きつけます。 名優ジョン・ハートとラウル・ジュリアが魅せる、理知的な苦悩と貴族的な狂気の熾烈な対比は圧巻の一言。悲哀を湛えた怪物の造形も、人間の暗部を映し出す鏡として圧倒的な説得力を放っています。時空の境界を解き放ち、神の領域に触れた者の末路を鮮烈に描く本作は、あなたの科学観を根底から揺さぶる衝撃作となるはずです。

興行成績

製作費: $11,500,000 (17億円)

興行収入: $334,748 (1億円)

推定収支: $-11,165,252 (-17億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ジョン・ハート
ジョン・ハート
Dr. Joe Buchanan / Narrator (voice)
ラウル・ジュリア
ラウル・ジュリア
Dr. Victor Frankenstein
Nick Brimble
Nick Brimble
The Monster
ブリジット・フォンダ
ブリジット・フォンダ
Mary Wollstonecraft Godwin
Jason Patric
Jason Patric
Lord George Gordon Byron
Michael Hutchence
Michael Hutchence
Percy Byshee Shelley
Catherine Rabett
Catherine Rabett
Elizabeth Lavenza
No Image
Catherine Corman
Justine Moritz
No Image
William Geiger
Lab Technician
Mickey Knox
Mickey Knox
General Reade

スタッフ・制作会社

監督: ロジャー・コーマン

脚本: Brian Aldiss / F. X. Feeney / ロジャー・コーマン

音楽: Carl Davis

制作: ロジャー・コーマン / Kobi Jaeger / トム・マウント

撮影監督: Armando Nannuzzi / Michael Scott

制作会社: The Mount Company / 20th Century Fox

TMDB ユーザーのレビュー

GenerationofSwine
GenerationofSwine
★ 8

We had HBO when I was a kid, and a television with cable in the basement... and kids love basements. Time makes no sense in a basement. It's a totally different world down there and, with HBO and that whole latchkey thing, you could be down there into the early hours of the morning watching wonderful trash. And this is really wonderful trash. I mean, it IS a Roger Corman film, and those are known for being cheap B-movie fair of the most entertaining quality. Far better than Troma trash that never really seems to have actual talent. But, this, well, it was 1990 and it had John Hurt, Raul Julia, Bridget Fonda, and Jason Patrick in it and that already felt like it was seriously pushing the boundaries of what qualifies as a Corman movie. Those are names anyone would be thrilled to cast. And it looked good, OK, it looked a little 90s B, but there are certainly a lot of movies that look worse than this. It was Frankenstein cast as kind of science-fiction more than horror, black holes and all, and that alone, is intriguing. I mean, when it was written it kind of walked that line and Frankenstein Unbound does a decent job of walking that line as well. It's part traditional Frankenstein and part alternate reality post apocalyptic Frankenstein with a wild enough plot to keep the viewer entertained no matter how absurd it feels to write that, let alone read it. It was 1990, honestly it SHOULD have received more of a showing than simply catching it on HBO late one Saturday when USA's Up All Night was showing something absolutely pathetic. It should have been a little more prime time, it is certainly good enough to carry that weight.

Wuchak
Wuchak
★ 6

**_Corman returns after 2 decades with a Frankenstein flick_** A scientist in 2031 (John Hurt) inadvertently enters through a rift in the fabric of time & space, ending up in 1817 Switzerland wherein he meets Dr. Frankenstein (Raul Julia), his creature, Mary Godwin/Shelley (Bridget Fonda) and Lord Byron (Jason Patric). The murderous monster struggles between vengeance and acquiring a fitting mate. Based on Brian Aldiss’ 1973 novel, "Frankenstein Unbound" (1990) was Roger Corman’s return to directing after almost twenty years. For those not in the know, Corman was the king of Indie cult movies from 1955-1971, most famous for his Poe-inspired flicks starring Vincent Price. While Corman had way more money to work with than back in the ’60s ($11.5 million to be exact), it still wasn’t a blockbuster budget à la “Mary Shelley’s Frankenstein” (1994). It’s interesting if you’re a devotee of Shelley’s book and entertaining if you’re in the mood for old-fashioned Gothic horror on a modest budget, but it lacks the magic of, say, “The Pit and the Pendulum” and “The Raven.” Nevertheless, if you’re a fan of “The Terror,” “The Masque of the Red Death,” “The Tomb of Ligeia” and AIP or Hammer films in general, not to mention “The Bride of Frankenstein,” it delivers the goods. Classy Bridget Fonda is a plus on the feminine front while Catherine Rabett is worth a mention. Meanwhile the cheesy monster makeup works and Raul Julia is charismatic as Victor Frankenstein. I shouldn't fail to add that the 1988 ItalDesign Aztek car brings to mind “Back to the Future” and Knight Rider. It totally bombed at the box office, but it has cult appeal, which is to be expected with Corman at the helm. It was his final directorial effort. The film is short-n-sweet at 1 hour, 25 minutes, and was shot in the region of Lombardia in north-central Italy. You can’t beat the locations. GRADE: B-

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