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作品考察・見どころ
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興行収入: $12,500,000 (19億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
興行収入: $12,500,000 (19億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。
監督: Ralph Nelson
脚本: S. H. Barnett / Frank Tarloff / Peter Stone
音楽: Cy Coleman
制作: Robert Arthur
撮影監督: Charles Lang
制作会社: Granox Productions
“Walter” (Cary Grant) is a bit of a rogue who is conned into helping the war effort by “Houghton” (Trevor Howard) and so takes up residence on a remote Pacific island where he is to report sightings of Japanese aircraft, shipping etc. In return, he will be given his very own island Easter egg hunt - only it will be for bottles of Scotch, instead! He’s grumpily resigned to his duty until one day he encounters “Catherine” (Leslie Caron) on his island complete with her own set of ducklings - half a dozen young daughters of the French diplomatic corps left behind. She demands that he help, he demands that she leaves. Is it a Mexican stand-off? Well, no - not for long, pretty swiftly she and her gaggle have this poor hapless fellow dangling and the story sets off down a predictably one-sided battle of the sexes path. No, the story isn’t especially novel or original but there’s a lovely chemistry between Grant and Caron that reminded me a little of the “African Queen” (1951) and the girls contribute amiably too. It is a bit of a slow starter, and the conclusion is a little bit rushed, but the gist is entertaining and both stars seem to be enjoying the mischief as they do their own little bit to defeat the enemy - which ever side he/she/they might be on.
