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Rogue Cop
Rogue Cop

Rogue Cop

19541h 32m★ 5.3犯罪ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Roy Rowland

脚本: Roy Rowland / William P. McGivern

音楽: Jeff Alexander

制作: Nicholas Nayfack

撮影監督: John F. Seitz

制作会社: Metro-Goldwyn-Mayer

口コミ

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キャスト

Robert Taylor
Robert Taylor
Det. Sgt. Christopher Kelvaney
ジャネット・リー
ジャネット・リー
Karen Stephanson
George Raft
George Raft
Dan Beaumonte
Steve Forrest
Steve Forrest
Eddie Kelvaney
Anne Francis
Anne Francis
Nancy Corlane
Robert Ellenstein
Robert Ellenstein
Det. Sidney Y. Myers
Robert F. Simon
Robert F. Simon
Ackerman
Anthony Ross
Anthony Ross
Father Ahearn
Alan Hale Jr.
Alan Hale Jr.
Johnny Stark
Peter Brocco
Peter Brocco
George 'Wrinkles' Fallon

TMDB ユーザーのレビュー

John Chard
John Chard
★ 7

Little men begging for a break. Rogue Cop is directed by Roy Rowland and adapted to screenplay by Sydney Boehm from the novel written by William P. McGivern. It stars Robert Taylor, Janet Leigh, George Raft, Steve Forrest and Anne Francis. Music is by Jeff Alexander and cinematography by John F. Seitz. Christopher Kelvaney (Taylor) is a cop on the take from the mob that's fronted by Dan Beaumont (Raft). When his brother and fellow cop, Eddie (Forrest), is requested to withdraw testimony about a crook covered by Beaumont, Chris is compromised and danger lurks for all involved. A face wrinkled like Venetian blinds. Out of MGM, Rogue Cop is a better than average venture into film noir territories. Characters are standard fare for such plottings, but the moral quagmire at Kelvaney's core lifts things considerably. Helps also that Kelvaney is a cop with a quip, the script affording the character some hard boiled edges. With Seitz on photography duties, Rowland is able to fill out the pic with usual noir trappings, where shadows and dim lights exude a doom ambiance. Stoolies Incorporated. Scenes are staged in noir funky locations such as a penny arcade (scene of the vicious crime that kicks everything off), a race track and of course shimmering streets, the latter of which plays host to the gun laden finale. Colourful characters such as Francis' (excellent) lush moll and Olive Carey's wise old news stand operator (info for sale) add some side-bar female essence to the moody tale. The ending could have been bolder as per outcome, but it sits OK, and since the story has its share of emotional wallops for some of the players, it ultimately ends up as a comfortable recommendation to noir fans. 7/10

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