贋作画家シャルル・ボネの家に、内偵中の私立探偵シモンが忍び込んだ。ところがたちまち、画家の娘ニコルに発見されてしまう。シモンを泥棒と信じたニコルは、美術館からビーナス像を盗み出すことを依頼する。警戒厳重な美術館に、二人は潜入することに成功するが……。オードリーのロマンティック・コメディ。
AIが作品の魅力を深く読み解いています
製作費: $6,400,000 (10億円)
興行収入: $4,400,000 (7億円)
推定収支: $-2,000,000 (-3億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: William Wyler
脚本: Harry Kurnitz / George Bradshaw
音楽: ジョン・ウィリアムズ
制作: Fred Kohlmar
撮影監督: Charles Lang
You really are the smuggest and most hateful man! William Wyler crafts a delightfully frothy caper backed up by wonderful on screen chemistry between Peter O'Toole & Audrey Hepburn. It seems to me that Hepburn always managed to bond with her Male co-stars, and here the interplay between O'Toole and herself is wonderful. Check out a long sequence of events involving the pair hiding out in a closet, it's gold dusted cinema. The film's central plot involves Hepburn & O'Toole planning a daring robbery from a Paris museum to keep her art forger Father (a delightful Hugh Griffith) out of trouble, at first the couple are purely business partners with no love lost for each other, but as the story plays out the pair are forced to get along and etc. The burglary itself is dramatic, attention grabbing entertainment, and it's also the film's highest point, but overall the film as a whole is simply good romantic fun. Also helps that it features a very tidy shift for the finale to further reward the audience for their time spent with the movie. Throw in dapper turns from Charles Boyer & Eli Wallach too, and it's all good really. Open the wine, sit back and relax with Pete & Audrey. 8/10
