FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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死霊高校
死霊高校

死霊高校

20151h 21m★ 4.9ホラー

あらすじ

No synopsis available.

作品考察・見どころ

本作の真髄は、ファウンド・フッテージ形式を極限まで活かした圧倒的な没入感にあります。夜の校舎という閉鎖空間を舞台に、手持ちカメラの不安定な視線が観客を恐怖の渦中へと引きずり込みます。若手キャストたちの剥き出しの絶叫と、暗闇から忍び寄る「吊るされた男」の静かな気配。単なる驚かしに留まらない、逃げ場のない焦燥感が画面越しに伝わり、観る者の心拍数を跳ね上げます。 演劇という虚構が現実を侵食していく構成も極めて秀逸です。過去の惨劇が現在へと蘇る構造は、贖罪と逃れられない運命の残酷さを鮮烈に浮き彫りにします。照明やロープといった舞台小道具が死の装置へと変貌する演出は、日常が非日常へと反転する瞬間の恐怖美学を体現しています。若さゆえの過ちが、時を超えて凄惨な牙を剥くその瞬間に、あなたは言葉を失うはずです。

興行成績

製作費: $100,000 (0億円)

興行収入: $42,964,410 (64億円)

推定収支: $42,864,410 (64億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

Reese Mishler
Reese Mishler
Reese
Pfeifer Brown
Pfeifer Brown
Pfeifer
Ryan Shoos
Ryan Shoos
Ryan
Cassidy Gifford
Cassidy Gifford
Cassidy
Price T. Morgan
Price T. Morgan
Stage Boy
Mackie Burt
Mackie Burt
Cheerleader #1
Travis Cluff
Travis Cluff
Mr. Schwendiman
No Image
Melissa Bratton
Pfeifer's Mom
No Image
Theo Burkhardt
Rick Houser
No Image
David Herrera
David the Janitor

スタッフ・制作会社

監督: Travis Cluff / Chris Lofing

脚本: Travis Cluff / Chris Lofing

音楽: Zach Lemmon

制作: ジェイソン・ブラム / Dean Schnider / Couper Samuelson

撮影監督: Edd Lukas

制作会社: Tremendum Pictures / New Line Cinema / Blumhouse Productions / Management 360

TMDB ユーザーのレビュー

Reno
Reno
★ 2

**A night before the play!** It is my personal opinion that I did not find the film any good. There's nothing new in it. Even those who haven't seen many films could name a couple of similar films. The best ones. The worst part was, in horror films, ten guys go in and only one comes out. Sometimes none. The found-footage presentation was okay for such concept. The film was short and one day event based. Most of the story was on the night in an auditorium. The initial part had fair space to kick-start the tale with a simple intro. And then the following event did not stay up to the buildup. The basic storyline itself was very weak. The characters, and their behaviours, all easily gives out the upcoming scenes. So predictable, even the twist was ordinary. The way it ended was worse than ordinary. I felt the final scene with the cops was totally unnecessary. There's nothing wrong with the actors. Even filmmaking was acceptable. But I don't know how the production company okayed the screenplay. One of the low cost film, but earned better. Despite not received well by all the quarters. I would always encourage such small films, but I can't suggest it. _2/10_

Gimly
Gimly
★ 3

A near exact replica of that _Goosebumps_ episode "Phantom of the Auditorium" both in essential plot as well as video quality/acting calibre. _Final rating:★½: - Boring/disappointing. Avoid where possible._

Filipe Manuel Neto
Filipe Manuel Neto
★ 3

**Predictable, unoriginal, without great qualities, but still minimally decent.** I usually have low expectations when it comes to horror films because, in order to find a hidden gem, we have to dig through a lot of rubbish. This film, however, isn't as bad as I thought it might be: it's not original (the “Stage Fright” films are good examples of very similar material), it's not memorable, it's not perfect, it's stupidly predictable, but it entertains and creates some dramatic tension. The story is anything but new: a high school theater group will try to stage the play in which, around twenty years earlier, a student met a tragic and stupid death because of a failure in one of the stage props. It turns out that, in these twenty years, this play has become almost cursed, saying the name of the boy who died on stage has become bad luck and the very theater where it all happened seems to be haunted. To make things even more complicated, several members of the cast are disgruntled and don't want the play to go ahead. That's how three of them decide to go to the theater at night and vandalize it. From here on, everything is prepared for the scare show that the ghost will offer us. The film intelligently bets on “found footage” cinematography, which would be better and more credible with fewer cuts, edits and sudden transitions to night footage. I've seen several films with this style and this was the most imperfect and unpleasant. I dare say that Travis Cluff and Chris Lofing, directors and screenwriters, were happier filming than editing their work, and that this was, in part, the consequence of several failed attempts to obtain a softer parental rating. The production budget is visibly weak and there is an effort to make the most of what there is but, as a whole, the film is surprisingly effective, without complicated graphic resources or expensive effects. The cast doesn't have any big names, but young promises trying to make their way in the tough world of entertainment. None of them seemed particularly gifted to me, but Reese Mishler and Pfeifer Brown at least tried to do something good. Ryan Shoos is simply stupid, and Cassidy Gifford is only in this film because the directors felt it necessary to include a girl with breasts big enough to widen the eyes of teenagers in the audience.

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